579 lines
31 KiB
Plaintext
579 lines
31 KiB
Plaintext
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"url": "https://rubenvandeven.com",
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"author":
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{
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"name": "Ruben van de Ven",
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"nationality": "The Netherlands",
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"url": "http://routedunord.nl/portfolio-item/ruben-van-de-ven-2/",
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"@type": "Place",
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"@type": "CreativeWorkSeries",
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"name": "MVP's",
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"about": "lorem ipsum etc.",
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"name": "In4Art Project Space",
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},
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{
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"@id": "in4artSalon",
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"@type": "ExhibitionEvent",
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"name": "Salon VI - Innovatism",
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"location": {
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"@type": "Place",
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"name": "In4Art Project Space",
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"address": "Amsterdam"
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}
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{
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"@type": "MediaObject",
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"name": "MVP#3",
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"dateCreated": "2018",
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"description": "....",
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{
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}
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"image": [
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},
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{
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"@type": "MediaObject",
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"name": "Spectacular Spectator Mood Meter",
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"dateCreated": "2017",
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"description": "...",
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{
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"@type": "ExhibitionEvent",
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"url": "....",
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"location": {
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"@id": "v2_"
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},
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"startDate": "2017-12",
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]
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},
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{
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"@type": "MediaObject",
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"name": "Emotion Hero",
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"description": "Emotion recognition software is being used both as a tool for \u2018objective\u2019 measurements as well as a tool for training one\u2019s facial expressions, eg. for job interviews. Emotion Hero is a literal translation of the paradoxical relation between these applications of the technology.\n\nEmotion Hero is a two-part artwork. On the one hand is a video-game that is freely downloadable for everybody with an Android device (see <a href=\"https://play.google.com\/store\/apps\/details?id=com.rubenvandeven.emotion_hero\">Google Play<\/a>). Inspired by Guitar Hero, the user scores points by following given cues. It provides detailed feedback on the mechanics of the face (eg. \u201cYou showed on 10% Joy when you had to show 100%, smile 99.32% more.\u201d), revealing that rather than being a window into the brain, the face is a controllable surface.\n\nThe second part is a projection that shows the aggregated scores of the game. In order to substantiate their discourse, companies in facial expression measurement employ a huge amount of data collection and processing. The results are displayed in a fixed grid, recalling historical practices that, trough extensive measurement and administration, also aimed to delineate something which is conceptually undelineated: think of Duchenne de Boulogne, Lombroso, and Charcot.\n\nEmotion Hero is a playful invitation to open up the box of expression analysis to reveal the assumptions that underlie this technology.\n\nThe game's emotional intelligence is powered by Affectiva (I was also <a href=\"http://blog.affectiva.com\/sdk-on-the-spot-emotion-hero-app-encourages-play-with-facial-expressions\">interviewed<\/a> by them). This project is produced as part of the <a href=\"http://summersessions.net\/17-projects\/projects-2016\/55-emotion-hero\">Summer Sessions Network for Talent Development<\/a> in a co-production of Arquivo 237 and V2_ Lab for the Unstable Media, with support of the Creative Industries Fund NL.\nIt has been exhibited at the <a href=\"http://www.statefestival.org\/2016\/program-entry\/2016\/emotion-hero-2016\">State Festival 2016<\/a> (Berlin, DE) and Digital <Dis>orders (Frankfurt, DE).",
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"url": "https://emotionhero.com",
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{
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"name": "frei_raum / Q21",
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"address": "MuseumsQuartier /Vienna"
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},
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"startDate": "2017-03-28",
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"@type": "ExhibitionEvent",
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"name": "Open Codes",
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"url": "https://open-codes.zkm.de/",
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"name": "ZKM",
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"address": "Karlsrue"
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},
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"endDate": "2018-08-05",
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"workFeatured": []
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{
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"@type": "ExhibitionEvent",
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"name": "Plan D",
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"url": "...",
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"location": "Zagreb",
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"startDate": "2017-10",
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"endDate": "2018-10",
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"awarded": "honorable mention",
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"workFeatured": []
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Ars Electronica",
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"url": "...",
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"location": {
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"@type": "Place",
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"name": "Ars Electronica",
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"address": "Linz"
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},
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"startDate": "2017-09",
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"endDate": "2017-09",
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"organiser": { "@id":"v2_" },
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"funded": "Creative Industries Fund",
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"workFeatured": []
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Microbites of Creativity",
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"url": "...",
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"organiser": "ACM Creativity & Cognition",
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"location": {
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"@type": "Place",
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"name": "Museum of Arts & Sciences",
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"address": "Singapore"
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},
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"startDate": "2017-06",
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"endDate": "2017-06",
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"workFeatured": []
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},
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{
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"@id": "codesandmodes",
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"@type": "ExhibitionEvent",
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"name": "Codes & Modes II",
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"organiser": "Integrated Media Arts MFA",
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"@type": "Place",
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"name": "Hunter College",
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"address": "New York"
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},
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"startDate": "2017-03",
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"endDate": "2017-03",
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"workFeatured": []
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},
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{
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"@id": "stateofemotion",
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"@type": "ExhibitionEvent",
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"name": "STATE of Emotion",
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"location": {
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"@type": "Place",
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"name": "STATE Festival",
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"address": "Berlin"
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},
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"startDate": "2016-11",
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"endDate": "2016-11",
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"workFeatured": []
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Manipulation: Emotion Hero",
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"location": {
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"@type": "Place",
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"name": "Arquivo237",
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"address": "Lisbon"
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},
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"startDate": "2016-09",
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"endDate": "2016-09",
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"workFeatured": []
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}
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]
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},
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"image": [
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/emotionhero1-2.jpg"
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},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/emotionhero2.jpg"
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}
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],
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"subjectOf": [
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{
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"@type": "BlogPosting",
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"url": "http://blog.affectiva.com\/sdk-on-the-spot-emotion-hero-app-encourages-play-with-facial-expressions",
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"dateCreated": "2017-01-1-18",
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"publisher": "Affectiva",
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"name": "SDK On the Spot: Emotion Hero Project Encourages Play with Facial Expressions"
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}
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]
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},
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{
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"@type": "MediaObject",
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"name": "Choose How You Feel; You Have Seven Options",
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"dateCreated": "2016",
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"description": "...",
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"@reverse": {
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"workFeatured": [
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{
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"@type": "ExhibitionEvent",
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"name": "Big Stories Need Human Stakes",
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"location": {
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"@type": "Place",
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"name": "Nieuwe Vide",
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"address": "Haarlem"
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},
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"startDate": "2018-02",
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"endDate": "2018-03",
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"workFeatured": []
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Test_Lab the Graduation Edition",
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"url": "...",
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"location": {
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"@id": "v2_",
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"@type": "Place",
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"name": "V2_",
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"address": "Rotterdam"
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},
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"startDate": "2016-07",
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"endDate": "2016-07",
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"workFeatured": []
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Fuzzy Logic - Graduation Show",
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"url": "...",
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"location": {
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"@type": "Place",
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"name": "Piet Zwart Institute",
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"address": "Rotterdam"
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},
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"startDate": "2016-06",
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"endDate": "2016-06",
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"workFeatured": []
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}
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]
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},
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"image": [
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/choosehowyoufeel2-2.jpg"
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},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/choosehowyoufeel.jpg"
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}
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]
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},
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{
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"@type": "MediaObject",
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"name": "EYE Without A Face",
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"dateCreated": "2016",
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"description": "...",
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"author": {
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"@type": "Person",
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"name": "Cristina Cochior",
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"url": "http://randomizer.info"
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},
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"image": [
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/eye_0-2.jpg"
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},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/eye_3-2.jpg"
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},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/eye_6-2.jpg"
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}
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],
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"@reverse": {
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{
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"@type": "ExhibitionEvent",
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"name": "Video Vortex",
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"@type": "Place",
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"name": "...",
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"address": "Kochi (India)"
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},
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"startDate": "2017-04",
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"endDate": "2017-04"
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Grand Instant Fiction",
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"location": {
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"@type": "Place",
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"name": "Umakart Gallery",
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"address": "Brno"
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},
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"startDate": "2016-12",
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"endDate": "2016-12"
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Boundaries of the Archive",
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"location": {
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"@type": "Place",
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"name": "EYE Film Museum",
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"address": "Amsterdam"
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},
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"startDate": "2016-04",
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"endDate": "2014-04"
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}
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]
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}
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},
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{
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"@type": "Report",
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"name": "Choose How You Feel; You Have Seven Options",
|
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"url": "http://networkcultures.org/longform/2017/01/25/choose-how-you-feel-you-have-seven-options/",
|
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"datePublished": "2017-01-27",
|
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"publisher": "Institute of Network Cultures"
|
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},
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{
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"@type": "MediaObject",
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"name": "We know how you feel",
|
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"dateCreated": "2015",
|
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"description": "A two-part artwork and my first work on software that derives emotional parameters from facial expressions. The first part displays the <em>Mind Reading Emotions Library<\/em>, an interactive collection of videos, audio fragments and scenes depicting 412 distinct emotions —ranging from `angry' to `unsure'— grouped in 24 categories. The second part of the project is a tablet with a modified demo app by Affectiva, a major player in the field of emotion analysis software. This app acts as an interactive mirror which displays the various parameters that the Affectiva software derives from someone's facial expression, while a voice over reads a text extracted from the Dutch classic <em>Beyond Sleep<\/em> by W.F. Hermans (1966), concerning the impact of the mirror, photography and video on the human self-image.\n\nIt was part of the exhibition <em><a href='http://v2.nl\/events\/an-encyclopedia-of-media-objects'>Encyclopedia Of Media Objects<\/a><\/em>, organised by the Piet Zwart Institute and held at the V2_ Institute for unstable media in June 2015.",
|
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"image": [
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/we_know_how_you_feel.jpg",
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"caption": "Fragments of reality"
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}
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],
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"@reverse": {
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"workFeatured": [
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{
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"@id": "codesandmodes"
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},
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{
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"@id": "stateofemotion"
|
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},
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{
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"@type": "ExhibitionEvent",
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"name": "Encyclopedia of Media Objects",
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"url": "...",
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"startDate": "2015-06",
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"endDate": "2015-06",
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"location": {
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"@id": "v2_"
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}
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}
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]
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}
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},
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{
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"@type": "MediaObject",
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"name": "Fragments of reality",
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"dateCreated": "2015-01-01",
|
||
"description": "In western society, images are generally perceived as objective traces of events. As evidence that things happened as how they are captured in the frame.\n\nAs Susan Sontag elaborates, this counts for photographic images in particular. They are seen, not as subjective statements about the world, but rather as pieces of it —as fragments of a reality. Photographic images are often seen as unbiased; they carry in them the \"burden of truth\". We use them to give meaning, to asses and to judge. It exactly is in this passivity of the image, that its aggression lurks.\nFragments of Reality is a newspaper that assembles descriptions of five images of one event: a press conference with Jeroen Dijsselbloem and Yanis Varoufakis. Each interviewee was shown one of the images, in an attempt to highlight how we read events trough photographs.\n\nIt considers an event not as a single factual moment, but as the cumulative of subjective experiences, inherently proposing that an image is always lacking in its representation of that which it presents.",
|
||
"image": [
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{
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||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/fragments-6-2.jpg",
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"caption": "Fragments of reality"
|
||
},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/fragments-9-2.jpg",
|
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"caption": "Fragments of reality"
|
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},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/fragments-7-2.jpg",
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"caption": "Fragments of reality"
|
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}
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]
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},
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{
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"@type": "MediaObject",
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"name": "Waterdagen",
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"dateCreated": "2013",
|
||
"description": "Adam is security guard at a nursing home with comatose patients. During his night shifts he has unsettling visions of someone drowning. He seeks his comfort in the company of his pregnant girlfriend. Days of Water is a story on guilt and shame; and on a longing for hope.\nI wrote and directed this film for my graduation as film director for fiction at the Utrecht School of the Arts.\nIt was accompanied by my MA research on spectatorial emotion and the influence emotions on the spectator's sympathy for the protagonist.",
|
||
"image": [
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/waterdagen-teaser.jpg"
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},
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{
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"@type": "ImageObject",
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"contentUrl": "assets\/image\/waterdagen1.jpg"
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}
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],
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"@reverse": {
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"workFeatured": [
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{
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"@type": "ExhibitionEvent",
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"name": "High Desert International Film Festival ",
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"url": "http://routedunord.nl/portfolio-item/ruben-van-de-ven-2/",
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"location": {
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"@type": "Place",
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"name": "High Desert International Film Festival ",
|
||
"address": "Pahrump, Nevada"
|
||
},
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"startDate": "2014-05",
|
||
"endDate": "2014-05",
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"workFeatured": []
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}
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]
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}
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},
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{
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"@type": "MediaObject",
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||
"name": "Co-Poet",
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||
"dateCreated": "2012",
|
||
"url": "http://projectkaleido.nl/#copoet",
|
||
"description": "For the visitors of the Crossing Border festival in The Hague we desgined an installation to collaboratively contribute to a poem.\nBased on the input of the user, a sentence is added to the poem, originating from digitalised texts of artists participating in the festival.\nThe text was combined with an audiovisual presentation that changed depending on the user's input.",
|
||
"image": [
|
||
{
|
||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/copoet1.jpg"
|
||
}
|
||
],
|
||
"@reverse": {
|
||
"workFeatured": [
|
||
{
|
||
"@type": "ExhibitionEvent",
|
||
"name": "Crossing Border",
|
||
"location": {
|
||
"@type": "Place",
|
||
"name": "Leidse Schouwburg",
|
||
"address": "Leiden"
|
||
},
|
||
"startDate": "2012",
|
||
"endDate": "2012",
|
||
"workFeatured": []
|
||
}
|
||
]
|
||
}
|
||
},
|
||
{
|
||
"@type": "MediaObject",
|
||
"name": "Rangi Ya Samawati",
|
||
"dateCreated": "2012",
|
||
"description": "The Colour of Blue. A diptych about two Tanzanians: a miner and a lobster fisher. How do they live, work and survive; and how do they see their own future? Each of the two men is in his own way depending on nature, everyday gambling for a good catch.\nThis documentary was shot complementary to our work at the Kilimanjaro Film Institute in Arusha.\nDocumentary, 14′42″. The full film is available on Youtube.",
|
||
"image": [
|
||
{
|
||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/samawati-prev2.jpg"
|
||
},
|
||
{
|
||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/samawati-prev1.jpg"
|
||
}
|
||
],
|
||
"video": "http://www.youtube.com/watch?v=D8pMy7xOZnI"
|
||
},
|
||
{
|
||
"@type": "MediaObject",
|
||
"name": "Virtual Afterlife",
|
||
"dateCreated": "2010",
|
||
"description": "A short HKU project on the future of social media, when it was still an upcomming phenomenon. It is made in two weeks for a series of shorts with a given start and ending image.\nWe asked ourselves: what happens if our online identity lives on after we die? Do we still live on if a part of our online identity does? How can this virtual identity be shaped?\n2′10″",
|
||
"image": [
|
||
{
|
||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/guerilla2.jpg"
|
||
}
|
||
],
|
||
"video": "http://www.youtube.com/watch?v=7Nk24Mh6uMc"
|
||
}
|
||
],
|
||
"contributor": [
|
||
{
|
||
"@type": "MediaObject",
|
||
"name": "The Spectacular Times",
|
||
"dateCreated": "2013-12-04",
|
||
"author": {
|
||
"@type": "Person",
|
||
"name": "Ward Goes",
|
||
"url": "http://www.wardgoes.nl"
|
||
},
|
||
"description": "Originally initiated as a graduation project (cum laude) by Ward Goes, <a href=\"http://spectacularspectacular.news\">The Spectacular Times<\/a> is an ongoing visual inquiry into the presentation of news. It investigates how news, rather than being subjective, is representational of its social, cultural, (geo)political and ideological contexts. The project sets out to lay bare these representations in currently circulating news.\n\nBy layering and contrasting different news elements The Spectacular Times re-contextualises news and makes explicit the intangible notions that lie beyond an increasingly universal guise of news reporting. Not in an effort to tell apart true from false, left from right, or right from wrong, but in order to accentuate a variety of articulations of news.\n\nThis web based project uses user defined variables to animate news headers, texts and images, which are directly sourced from different news websites world wide. By adjusting these parameters (among which region, scope and speed) the spectator actively perceives how news content is de- and reformed through its aesthetics.",
|
||
"url": "http://spectacularspectacular.news",
|
||
"image": [
|
||
{
|
||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/times1.jpg",
|
||
"caption": "The Spectacular Times"
|
||
},
|
||
{
|
||
"@type": "ImageObject",
|
||
"contentUrl": "assets\/image\/times2.jpg",
|
||
"caption": "The Spectacular Times"
|
||
}
|
||
]
|
||
}
|
||
]
|
||
}
|
||
}
|
||
}
|