diff --git a/.htaccess b/.htaccess
index 9b9c7de..24d4b69 100644
--- a/.htaccess
+++ b/.htaccess
@@ -1,4 +1,9 @@
# Don't edit: generated using gulpfile.js
+
+Order allow,deny
+Deny from all
+
+
RewriteEngine On
RewriteRule "^2017/artistic-point-of-interference$" "index.html"
RewriteRule "^2018/data-flaneur$" "index.html"
@@ -30,6 +35,7 @@ RewriteRule "^emotionhero$" "index.html"
RewriteRule "^event/2018/yama-ichi$" "index.html"
RewriteRule "^event/2019/ccu-presentation$" "index.html"
RewriteRule "^event/2021/dutch-design-week$" "index.html"
+RewriteRule "^event/2022/dag-van-praktijkgericht-onderzoek$" "index.html"
RewriteRule "^event/cqrrelations$" "index.html"
RewriteRule "^event/creativity-and-cognition$" "index.html"
RewriteRule "^exercises-in-overfitting$" "index.html"
@@ -75,9 +81,11 @@ RewriteRule "^organisation/hku$" "index.html"
RewriteRule "^organisation/nsvp$" "index.html"
RewriteRule "^organisation/setup$" "index.html"
RewriteRule "^organisation/v2_$" "index.html"
+RewriteRule "^organisation/willem-de-kooning-academie$" "index.html"
RewriteRule "^panel/stateofemotion/video$" "index.html"
RewriteRule "^person/cristina-cochior$" "index.html"
RewriteRule "^person/donald-schenkel$" "index.html"
+RewriteRule "^person/ildiko-plajas$" "index.html"
RewriteRule "^person/joseph-huot$" "index.html"
RewriteRule "^person/merijn-van-moll$" "index.html"
RewriteRule "^person/mikel-folgerts$" "index.html"
@@ -113,10 +121,10 @@ RewriteRule "^@type/ExhibitionEvent$" "index.html"
RewriteRule "^@type/Organization$" "index.html"
RewriteRule "^@type/Hogeschool voor de Kunsten Utrecht$" "index.html"
RewriteRule "^@type/Place$" "index.html"
+RewriteRule "^@type/CollegeOrUniversity$" "index.html"
RewriteRule "^@type/Person$" "index.html"
RewriteRule "^@type/EventVenue$" "index.html"
RewriteRule "^@type/Museum$" "index.html"
RewriteRule "^@type/PerformingGroup$" "index.html"
RewriteRule "^@type/VisualArtsEvent$" "index.html"
-RewriteRule "^@type/CollegeOrUniversity$" "index.html"
RewriteRule "^@type/WebSite$" "index.html"
diff --git a/assets/image/alleswatikvoel1.png b/assets/image/alleswatikvoel1.png
new file mode 100644
index 0000000..a9491f6
--- /dev/null
+++ b/assets/image/alleswatikvoel1.png
@@ -0,0 +1,3 @@
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+size 1079328
diff --git a/assets/image/alleswatikvoel2.png b/assets/image/alleswatikvoel2.png
new file mode 100644
index 0000000..9e1a49f
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+++ b/assets/image/alleswatikvoel2.png
@@ -0,0 +1,3 @@
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+size 655606
diff --git a/assets/js/ranking.json b/assets/js/ranking.json
index 37664d6..e9874db 100644
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\ No newline at end of file
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Students of the Piet Zwart Institute Media Design Masters programme invite you to look at these issues. 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Each interviewee was shown one of the images, in an attempt to highlight how we read events trough photographs.\n\nIt considers an event not as a single factual moment, but as the cumulative of subjective experiences, inherently proposing that an image is always lacking in its representation of that which it presents.","https://schema.org/image":[{"@id":"_:b72"},{"@id":"_:b73"},{"@id":"_:b74"}],"https://schema.org/name":"Fragments of reality"},{"@id":"_:b72","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Fragments of reality","https://schema.org/contentUrl":"/assets/image/fragments-6-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/fragments-6-2.jpg"},{"@id":"_:b73","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Fragments of reality","https://schema.org/contentUrl":"/assets/image/fragments-9-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/fragments-9-2.jpg"},{"@id":"_:b74","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Fragments of reality","https://schema.org/contentUrl":"/assets/image/fragments-7-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/fragments-7-2.jpg"},{"@id":"_:b75","@type":"https://schema.org/Movie","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2013","https://schema.org/description":"Adam is security guard at a nursing home with comatose patients. 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Recontextualising these business models towards an arts context, results in new perspectives on both the arts as well as start-up culture.","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2018","https://schema.org/hasPart":[{"@id":"https://rubenvandeven.com/mvp1"},{"@id":"https://rubenvandeven.com/mvp2"},{"@id":"https://rubenvandeven.com/mvp3"}],"https://schema.org/name":"MVPs"},{"@id":"https://rubenvandeven.com/organisation/ccu","@type":"https://schema.org/Organization","https://schema.org/name":"Creative Coding Utrecht"},{"@id":"https://rubenvandeven.com/organisation/constant","@type":"https://schema.org/Organization","https://schema.org/name":"Constant","https://schema.org/url":"http://constantvzw.org"},{"@id":"https://rubenvandeven.com/organisation/hku","@type":"https://schema.org/Hogeschool voor de Kunsten Utrecht","https://schema.org/addressLocality":"Utrecht","https://schema.org/educationalCredentialAwarded":{"@id":"https://rubenvandeven.com/degree/avm"}},{"@id":"https://rubenvandeven.com/organisation/nsvp","@type":"https://schema.org/Organization","https://schema.org/name":"Nederlandse Stichting voor Psychotechniek","https://schema.org/url":"https://www.innovatiefinwerk.nl/"},{"@id":"https://rubenvandeven.com/organisation/setup","@type":"https://schema.org/Organization","https://schema.org/address":"Utrecht","https://schema.org/name":"SETUP","https://schema.org/url":"https://www.setup.nl/"},{"@id":"https://rubenvandeven.com/organisation/v2_","@type":"https://schema.org/Place","https://schema.org/address":"Rotterdam","https://schema.org/name":"V2_"},{"@id":"https://rubenvandeven.com/panel/stateofemotion/video","@type":"https://schema.org/VideoObject","https://schema.org/embedUrl":"https://www.youtube.com/embed/L2O6ecO-8PM?start=2062","https://schema.org/thumbnailUrl":"https://i.ytimg.com/vi/L2O6ecO-8PM/maxresdefault.jpg"},{"@id":"https://rubenvandeven.com/person/cristina-cochior","@type":"https://schema.org/Person","https://schema.org/name":"Cristina Cochior","https://schema.org/url":"http://randomizer.info"},{"@id":"https://rubenvandeven.com/person/donald-schenkel","@type":"https://schema.org/Person","https://schema.org/name":"Donald Schenkel","https://schema.org/url":"http://www.donaldschenkel.nl/"},{"@id":"https://rubenvandeven.com/person/joseph-huot","@type":"https://schema.org/Person","https://schema.org/name":"Joseph Huot","https://schema.org/url":"http://www.joseph-huot.com/"},{"@id":"https://rubenvandeven.com/person/merijn-van-moll","@type":"https://schema.org/Person","https://schema.org/author":{"@id":"https://rubenvandeven.com/accept-and-work"},"https://schema.org/name":"Merijn van Moll","https://schema.org/url":"https://merijnvanmoll.nl/"},{"@id":"https://rubenvandeven.com/person/mikel-folgerts","@type":"https://schema.org/Person","https://schema.org/name":"Mikel Folgerts","https://schema.org/url":"https://www.instagram.com/mikelfolgerts/"},{"@id":"https://rubenvandeven.com/person/ward-goes","@type":"https://schema.org/Person","https://schema.org/name":"Ward Goes","https://schema.org/url":"http://www.wardgoes.nl"},{"@id":"https://rubenvandeven.com/pillow-talk","@type":"https://schema.org/MediaObject","https://schema.org/about":[{"@id":"_:b98"},{"@id":"_:b99"}],"https://schema.org/contributor":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2019","https://schema.org/description":"The voice is surely an uncanny phenomenon. In the digital age it leaves us constantly in doubt, if a person or a non-person is speaking. In this immersive performance, doubt and conviction change roles in the blink of an eye. Spread out on a hilly landscape, audience engages in a conversation with something that is there and not there at the same time. An artificial voice functions as a mediator, a partner and a mirror to one's own.\n\nWhile conversations are constructed word-by-word, impressions are shared, naps are taken, and time is passed, Pillow Talk is an invitation to suspend eye-to-eye relations and to reposition yourself in direct relation to the non-human.\n\nI developed the interface for the participants, as well as a custom story flow editor for the director/writer Begüm Erciyas.","https://schema.org/image":[{"@id":"_:b100"},{"@id":"_:b101"},{"@id":"_:b102"}],"https://schema.org/name":"Pillow Talk","https://schema.org/url":"https://www.begumerciyas.com/work/pillow-talk-2019/"},{"@id":"https://rubenvandeven.com/place/in4art","@type":"https://schema.org/EventVenue","https://schema.org/address":"Amsterdam","https://schema.org/name":"In4Art Project Space"},{"@id":"https://rubenvandeven.com/place/q21","@type":"https://schema.org/Museum","https://schema.org/address":"MuseumsQuartier /Vienna","https://schema.org/name":"frei_raum / Q21"},{"@id":"https://rubenvandeven.com/plottingdata","@type":"https://schema.org/PerformingGroup","https://schema.org/description":"A research into Data Dramatisation as a tactic to make data visualisations more transparent in their underlying procedures of data collection. 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Researchers of digital culture often regard artificial intelligence as black boxes. However, developers of these systems often regard the humans that are analysed as black boxes.\n\nWhat happens when we use black boxes (AI) to analyse black boxes (humans) and present these back to black boxes (humans)?\n\nThis prototype used emotion recognition software by Affectiva to analyse the audience of the talks. It then highlighted the moments in the talks for which outliers in the data were found. Can we use this data to analyse either of the black boxes?","https://schema.org/image":[{"@id":"_:b15"},{"@id":"_:b16"},{"@id":"_:b17"},{"@id":"_:b18"}],"https://schema.org/name":"Spectacular Spectator Mood Meter","https://schema.org/producer":{"@id":"https://rubenvandeven.com/organisation/v2_"}},{"@id":"https://rubenvandeven.com/sustaining-gazes","@type":"https://schema.org/MediaObject","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2018","https://schema.org/description":"In analytics and statistics, data visualisations, such as the heatmap, are used as tools bring forward patterns in data. These data visualisations, are often presented as objective tools of knowledge: data supposedly do not lie. What is often neglected however, are the subjective and political intricacies embedded within the datasets, and its method of visualisation. In collaboration with Cristina Cochior I am exploring the concept of data dramatisations, as an opposite to data visualisations. Rather than aiming for the objective, we explore the affective & performative aspects of data gathering and processing.\n\nSustaining Gazes is a data dramatisation which looks at the role between the visualisation and its subject. A heatmap is generated by looking at it, which directly influences the looking. Areas which are looked at turn into interesting shapes, inviting even more observation. The pattern of looking is reinforced though its visualisation. This cycle reveals both a hierarchy of power between algorithm and subject, as well as a point for intervention.","https://schema.org/image":[{"@id":"https://rubenvandeven.com/sustaining-gazes/image/1"},{"@id":"https://rubenvandeven.com/sustaining-gazes/image/2"}],"https://schema.org/name":"Sustaining Gazes"},{"@id":"https://rubenvandeven.com/sustaining-gazes/image/1","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/sustaining-gazes-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/sustaining-gazes-2.jpg"},{"@id":"https://rubenvandeven.com/sustaining-gazes/image/2","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/sustaining-gazes-1.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/sustaining-gazes-1.jpg"},{"@id":"https://rubenvandeven.com/university/piet-zwart","@type":"https://schema.org/CollegeOrUniversity","https://schema.org/address":"Rotterdam","https://schema.org/educationalCredentialAwarded":{"@id":"https://rubenvandeven.com/degree/media-design"},"https://schema.org/name":"Piet Zwart Institute"},{"@id":"https://rubenvandeven.com/venue/cruise-terminal","@type":"https://schema.org/EventVenue","https://schema.org/address":"Rotterdam","https://schema.org/name":"Cruise Terminal"},{"@id":"https://rubenvandeven.com/venue/tivoli","@type":"https://schema.org/EventVenue","https://schema.org/name":"Tivoli Vredeburg"},{"@id":"https://rubenvandeven.com/venue/zoho","@type":"https://schema.org/EventVenue","https://schema.org/address":"Rotterdam","https://schema.org/name":"ZOHO"},{"@id":"https://rubenvandeven.com/workshop/plotting-data-das-theatre","@type":"https://schema.org/Event","https://schema.org/alternateName":"Plotting the Enron Corpus","https://schema.org/description":"As part of the series Broadcast from Babylon.","https://schema.org/endDate":"2018-02-21","https://schema.org/name":"Workshop @ DAS Theatre","https://schema.org/organizer":{"@id":"https://rubenvandeven.com/plottingdata"},"https://schema.org/startDate":"2019-02-21","https://schema.org/url":"https://netdem.nl/en/articles/bfb-cp-5-creative-coding-and-workshop-plotting-data/"},{"@id":"https://rubenvandeven.com/workshop/plotting-data-onomatopee","@type":"https://schema.org/Event","https://schema.org/alternateName":"Plotting Data: Function Creep in the Wild","https://schema.org/description":"Datasets form a basis on which a city is made readable and interpretable foralgorithms, such as the those that process the endless streams of information coming from the cameras and sensors that stand scattered throughoutEindhoven. In this workshop, we will get acquainted with various ways in which data is collected and imagined. Who is being collected and what are the (dis)advantages of being represented? After an introduction into the types of biases that are inherent to their creation, we will combine hands-on work with pre-made scripts and discuss ways in which fiction and performance play a role in seeing like a dataset.","https://schema.org/endDate":"2018-06-12 18:30","https://schema.org/location":"Onomatopee","https://schema.org/name":"Workshop @ Onomatopee","https://schema.org/organizer":{"@id":"https://rubenvandeven.com/plottingdata"},"https://schema.org/startDate":"2019-06-12 16:00","https://schema.org/url":"https://www.onomatopee.net/exhibition/eindhoven-footnotes/#agenda_9839"},{"@id":"https://rubenvandeven.com/www","@type":"https://schema.org/WebSite","http://www.w3.org/2000/01/rdf-schema#seeAlso":["https://rubenvandeven.com/rubenvandeven.jsonld","https://git.rubenvandeven.com/r/portfolio"],"https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/description":"I am data! This website's graph structure is inspired by schema.org - an effort to structure all content on the www. Scaling and ordering is based on the PageRank algorithm: items wich are linked more are ordered on top. Good luck finding your way in this hyper structured portfolio.","https://schema.org/url":"https://rubenvandeven.com"}]}
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It creates space for hesitation, uncertainties, incongruities and complexities that would have been rendered invisible in a geographic map. 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Twelve installations and one choreography present a taxonomy of disappearing, human and non-human, introvert and collected media objects.\n\nThis exhibition was developed in a 'Thematic Seminar' run in the summer trimester 2015 taught by Florian Cramer.\n\nArtists: Lucas Battich [IT], Manetta Berends [NL], Julie Boschat Thorez [FR], Cihad Caner [TR], Joana Chicau [PT], Cristina Cochior [RO], Solange Frankort [NL], Arantxa Gonlag [NL], Anne Lamb [US], Benjamin Li [NL], Yuzhen Tang [CN], Ruben van de Ven [NL] & Thomas Walskaar [NO]","https://schema.org/endDate":"2015-06-27","https://schema.org/location":{"@id":"https://rubenvandeven.com/organisation/v2_"},"https://schema.org/name":"An Encyclopedia of Media Objects","https://schema.org/startDate":"2015-06-26","https://schema.org/url":"http://v2.nl/events/an-encyclopedia-of-media-objects","https://schema.org/workFeatured":{"@id":"_:b68"}},{"@id":"_:b70","@type":"https://schema.org/ImageObject","https://schema.org/caption":"We know how you feel","https://schema.org/contentUrl":"/assets/image/we_know_how_you_feel.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/we_know_how_you_feel.jpg"},{"@id":"_:b71","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Mind Reading Emotions Library","https://schema.org/contentUrl":"/assets/image/we_know_how_you_feel-3.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/we_know_how_you_feel-3.jpg"},{"@id":"_:b72","@type":"https://schema.org/MediaObject","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2015-01-01","https://schema.org/description":"In western society, images are generally perceived as objective traces of events. 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Each interviewee was shown one of the images, in an attempt to highlight how we read events trough photographs.\n\nIt considers an event not as a single factual moment, but as the cumulative of subjective experiences, inherently proposing that an image is always lacking in its representation of that which it presents.","https://schema.org/image":[{"@id":"_:b73"},{"@id":"_:b74"},{"@id":"_:b75"}],"https://schema.org/name":"Fragments of reality"},{"@id":"_:b73","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Fragments of reality","https://schema.org/contentUrl":"/assets/image/fragments-6-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/fragments-6-2.jpg"},{"@id":"_:b74","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Fragments of reality","https://schema.org/contentUrl":"/assets/image/fragments-9-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/fragments-9-2.jpg"},{"@id":"_:b75","@type":"https://schema.org/ImageObject","https://schema.org/caption":"Fragments of reality","https://schema.org/contentUrl":"/assets/image/fragments-7-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/fragments-7-2.jpg"},{"@id":"_:b76","@type":"https://schema.org/Movie","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2013","https://schema.org/description":"Adam is security guard at a nursing home with comatose patients. During his night shifts he has unsettling visions of someone drowning. He seeks his comfort in the company of his pregnant girlfriend. Days of Water is a story on guilt and shame; and on a longing for hope.\nI wrote and directed this film for my graduation as film director for fiction at the Utrecht School of the Arts.\nIt was accompanied by my MA research on spectatorial emotion and the influence emotions on the spectator's sympathy for the protagonist.","https://schema.org/image":[{"@id":"_:b79"},{"@id":"_:b80"}],"https://schema.org/name":"Waterdagen"},{"@id":"_:b77","@type":"https://schema.org/ExhibitionEvent","https://schema.org/endDate":"2014-05","https://schema.org/location":{"@id":"_:b78"},"https://schema.org/name":"High Desert International Film Festival ","https://schema.org/startDate":"2014-05","https://schema.org/url":"http://routedunord.nl/portfolio-item/ruben-van-de-ven-2/","https://schema.org/workFeatured":{"@id":"_:b76"}},{"@id":"_:b78","@type":"https://schema.org/Festival","https://schema.org/address":"Pahrump, Nevada","https://schema.org/name":"High Desert International Film Festival "},{"@id":"_:b79","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/waterdagen-teaser.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/waterdagen-teaser.jpg"},{"@id":"_:b80","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/waterdagen1.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/waterdagen1.jpg"},{"@id":"_:b81","@type":"https://schema.org/MediaObject","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2012","https://schema.org/description":"For the visitors of the Crossing Border festival in The Hague we desgined an installation to collaboratively contribute to a poem.\nBased on the input of the user, a sentence is added to the poem, originating from digitalised texts of artists participating in the festival.\nThe text was combined with an audiovisual presentation that changed depending on the user's input.","https://schema.org/image":{"@id":"_:b84"},"https://schema.org/name":"Co-Poet","https://schema.org/url":"http://projectkaleido.nl/#copoet"},{"@id":"_:b82","@type":"https://schema.org/ExhibitionEvent","https://schema.org/endDate":"2012-11-17","https://schema.org/location":{"@id":"_:b83"},"https://schema.org/name":"Crossing Border","https://schema.org/startDate":"2012-11-14","https://schema.org/workFeatured":{"@id":"_:b81"}},{"@id":"_:b83","@type":"https://schema.org/PerformingArtsTheater","https://schema.org/address":"Leiden","https://schema.org/name":"Leidse Schouwburg"},{"@id":"_:b84","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/copoet1.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/copoet1.jpg"},{"@id":"_:b85","@type":"https://schema.org/MediaObject","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2012","https://schema.org/description":"The Colour of Blue. 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The full film is available on Youtube.","https://schema.org/image":[{"@id":"_:b86"},{"@id":"_:b87"},{"@id":"_:b88"}],"https://schema.org/name":"Rangi Ya Samawati","https://schema.org/video":{"@id":"https://rubenvandeven.com/samawati/video"}},{"@id":"_:b86","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/samawati-prev2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/samawati-prev2.jpg"},{"@id":"_:b87","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/samawati-prev1.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/samawati-prev1.jpg"},{"@id":"_:b88","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/samawati4.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/samawati4.jpg"},{"@id":"_:b89","@type":"https://schema.org/MediaObject","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2010","https://schema.org/description":"A short HKU project on the future of social media, when it was still an upcomming phenomenon. It is made in two weeks for a series of shorts with a given start and ending image.\nWe asked ourselves: what happens if our online identity lives on after we die? Do we still live on if a part of our online identity does? How can this virtual identity be shaped?\n2′10″","https://schema.org/image":{"@id":"_:b90"},"https://schema.org/name":"Virtual Afterlife","https://schema.org/video":{"@id":"https://rubenvandeven.com/assets/video/guerilla_project.mp4#videoobject"}},{"@id":"_:b9","@type":"https://schema.org/ScreeningEvent","https://schema.org/description":" What is the impact of Artificial Intelligence on the labour market what does it mean for diversity and inclusion? That is de question that the art installation Guest Worker addresses. The artwork, made by Merijn van Moll and Ruben van de Ven, results from a collaboration between NSvP and SETUP.\nDuring both days of Brave New World, through a live twitch stream on the BNW-site, you can see and chat with Merijn and Ruben while they work as Mechanical Turkers - human digital workers who carry out repetitive micro-tasks that AI cannot do.","https://schema.org/endDate":"2020-11-09","https://schema.org/image":{"@id":"https://rubenvandeven.com/exhausting-mturk/image/1"},"https://schema.org/name":"Working on AMT","https://schema.org/organizer":[{"@id":"https://rubenvandeven.com/organisation/setup"},{"@id":"https://rubenvandeven.com/organisation/nsvp"}],"https://schema.org/startDate":"2020-11-08","https://schema.org/superEvent":{"@id":"https://rubenvandeven.com/exhibition/brave_new_world"},"https://schema.org/video":{"@id":"_:b11"},"https://schema.org/workFeatured":[]},{"@id":"_:b90","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/guerilla2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/guerilla2.jpg"},{"@id":"_:b91","@type":"https://schema.org/Person","https://schema.org/author":{"@id":"https://rubenvandeven.com/pillow-talk"},"https://schema.org/name":"Begüm Erciyas","https://schema.org/url":"https://www.begumerciyas.com"},{"@id":"_:b92","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2019-05-20","https://schema.org/location":"KVS, Brussels","https://schema.org/name":"Kunstenfestivaldesarts","https://schema.org/startDate":"2019-05-15","https://schema.org/url":"https://www.kfda.be/en/program/pillow-talk","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b93","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2019-06-16","https://schema.org/location":"Münchner Kammerspiele","https://schema.org/name":"Festival Politics of Algorithms","https://schema.org/startDate":"2019-06-14","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b94","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2019-08-31","https://schema.org/location":"Radialsystem, Berlin","https://schema.org/name":"New Empathies Program Series","https://schema.org/startDate":"2019-08-29","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b95","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2019-11-16","https://schema.org/location":"Theatre Nanterre-Amandiers, Paris","https://schema.org/name":"New Settings/Fondation d'Enterprise Hermés","https://schema.org/startDate":"2019-11-13","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b96","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2019-11-31","https://schema.org/location":"Kortrijk","https://schema.org/name":"NEXT Festival","https://schema.org/startDate":"2019-11-29","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b97","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2020-02-28","https://schema.org/location":"Moscow","https://schema.org/name":"Winzavod Art Center","https://schema.org/startDate":"2020-02-14","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b98","@type":"https://schema.org/TheaterEvent","https://schema.org/endDate":"2020-03-20","https://schema.org/location":"Leuven","https://schema.org/name":"STUK","https://schema.org/startDate":"2020-03-19","https://schema.org/workFeatured":{"@id":"https://rubenvandeven.com/pillow-talk"}},{"@id":"_:b99","@type":"https://schema.org/VisualArtsEvent","https://schema.org/name":"Residency: PACT Zollverein","https://schema.org/startDate":"2019","https://schema.org/url":"https://www.pact-zollverein.de/en"},{"@id":"https://rubenvandeven.com/","@type":"https://schema.org/Person","https://schema.org/email":"info@rubenvandeven.com","https://schema.org/hasOccupation":{"@id":"_:b112"},"https://schema.org/jobTitle":"digital artist / researcher of software culture","https://schema.org/name":"Ruben van de Ven","https://schema.org/nationality":"The Netherlands"},{"@id":"https://rubenvandeven.com/2017/artistic-point-of-interference","@type":"https://schema.org/EducationEvent","https://schema.org/alternateName":"API-art & situated fictions","https://schema.org/description":"A presentation & workshop about working with APIs as an artist. 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In the process of creating these datasets, conflict and ambiguity are omitted in favour of turning the world into its computable double. How do we bring forth narratives that make other interpretations possible?\n\nPlotting Data was a series of workshops held by Cristina Cochior & Ruben van de Ven in 2019, which explored the biases and tensions within datasets that underlie systems for automated decision making. Discussions, presentations and performances fed into the creation of digital interfaces that emphasise the inherently performative characteristics of datasets.\n\nThis final event marks the end of this project and the release of the Acts of Collection and Omission digital publication. Two tables will be hosted by invited artists Julie Boschat Thorez & Sami Hammana and Nicolas Malevé, while the third table will give an overview of the publication.","https://schema.org/endDate":"2020-03-11 22:00","https://schema.org/location":"Framer Framed & Netwerk Democratie, Amsterdam","https://schema.org/name":"Acts of Collection and Omission","https://schema.org/organizer":"Centre for Digital Cultures & Institute for Culture and Society","https://schema.org/startDate":"2020-03-11 19:30","https://schema.org/url":"https://digitalculturesconference.org/"},{"@id":"https://rubenvandeven.com/2021/au-best-wishes-from-the-enron-corpus","@type":"https://schema.org/Event","https://schema.org/about":{"@id":"https://rubenvandeven.com/plottingdata"},"https://schema.org/description":"Datasets form the basis on which computer models that are often tasked with automatic decision making, function. But these datasets are not a distilled version of reality: in their creation, conflict and ambiguity are neglected in favour of making reality computable. In this workshop we will explore tactics of instilling affective relations back into datasets. We will collaboratively delve into the vast Enron corpus through script writing.","https://schema.org/endDate":"2021-03-08 12:00","https://schema.org/location":"Aarhus University, Denmark","https://schema.org/name":"Workshop: Best wishes from the Enron corpus","https://schema.org/organizer":"Critical Data Studies - Alternative Data Futures","https://schema.org/startDate":"2021-03-08 9:00"},{"@id":"https://rubenvandeven.com/2021/ips-creative-methods","@type":"https://schema.org/Event","https://schema.org/about":{"@id":"_:b112"},"https://schema.org/description":"Gathering scholars working in political science and international relations and whose work enact visual arts, performance, photography, sound, and narrative writing, this roundtable addresses the power of creative and visual methods when doing critical work in political science and international relations. The aim of this roundtable is to discuss why it matters to include creative and visual methods when doing political analysis; how creative methods work in the interplay between research, theory, and communication strategies; what are their potentials, and what are their limits? ","https://schema.org/endDate":"2021-03-05 16:00","https://schema.org/name":"IPS Roundtable: Creative Methods","https://schema.org/organizer":["Doing IPS Transnational Hub","Marie Beauchamps"],"https://schema.org/startDate":"2021-03-05 14:00","https://schema.org/url":"https://www.doingips.org/news-events/creative-methods"},{"@id":"https://rubenvandeven.com/2021/mozfest-best-wishes-from-the-enron-corpus","@type":"https://schema.org/Event","https://schema.org/about":{"@id":"https://rubenvandeven.com/plottingdata"},"https://schema.org/description":"Datasets form the basis on which computer models that are often tasked with automatic decision making, function. 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- Use it as input data for your amazing new media art installation.
- Because it's cheap!
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An artificial voice functions as a mediator, a partner and a mirror to one's own.\n\nWhile conversations are constructed word-by-word, impressions are shared, naps are taken, and time is passed, Pillow Talk is an invitation to suspend eye-to-eye relations and to reposition yourself in direct relation to the non-human.\n\nI developed the interface for the participants, as well as a custom story flow editor for the director/writer Begüm Erciyas.","https://schema.org/image":[{"@id":"_:b101"},{"@id":"_:b102"},{"@id":"_:b103"}],"https://schema.org/name":"Pillow Talk","https://schema.org/url":"https://www.begumerciyas.com/work/pillow-talk-2019/"},{"@id":"https://rubenvandeven.com/place/in4art","@type":"https://schema.org/EventVenue","https://schema.org/address":"Amsterdam","https://schema.org/name":"In4Art Project Space"},{"@id":"https://rubenvandeven.com/place/q21","@type":"https://schema.org/Museum","https://schema.org/address":"MuseumsQuartier /Vienna","https://schema.org/name":"frei_raum / Q21"},{"@id":"https://rubenvandeven.com/plottingdata","@type":"https://schema.org/PerformingGroup","https://schema.org/description":"A research into Data Dramatisation as a tactic to make data visualisations more transparent in their underlying procedures of data collection. 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Can we use this data to analyse either of the black boxes?","https://schema.org/image":[{"@id":"_:b16"},{"@id":"_:b17"},{"@id":"_:b18"},{"@id":"_:b19"}],"https://schema.org/name":"Spectacular Spectator Mood Meter","https://schema.org/producer":{"@id":"https://rubenvandeven.com/organisation/v2_"}},{"@id":"https://rubenvandeven.com/sustaining-gazes","@type":"https://schema.org/MediaObject","https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/dateCreated":"2018","https://schema.org/description":"In analytics and statistics, data visualisations, such as the heatmap, are used as tools bring forward patterns in data. These data visualisations, are often presented as objective tools of knowledge: data supposedly do not lie. What is often neglected however, are the subjective and political intricacies embedded within the datasets, and its method of visualisation. In collaboration with Cristina Cochior I am exploring the concept of data dramatisations, as an opposite to data visualisations. Rather than aiming for the objective, we explore the affective & performative aspects of data gathering and processing.\n\nSustaining Gazes is a data dramatisation which looks at the role between the visualisation and its subject. A heatmap is generated by looking at it, which directly influences the looking. Areas which are looked at turn into interesting shapes, inviting even more observation. The pattern of looking is reinforced though its visualisation. This cycle reveals both a hierarchy of power between algorithm and subject, as well as a point for intervention.","https://schema.org/image":[{"@id":"https://rubenvandeven.com/sustaining-gazes/image/1"},{"@id":"https://rubenvandeven.com/sustaining-gazes/image/2"}],"https://schema.org/name":"Sustaining Gazes"},{"@id":"https://rubenvandeven.com/sustaining-gazes/image/1","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/sustaining-gazes-2.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/sustaining-gazes-2.jpg"},{"@id":"https://rubenvandeven.com/sustaining-gazes/image/2","@type":"https://schema.org/ImageObject","https://schema.org/contentUrl":"/assets/image/sustaining-gazes-1.jpg","https://schema.org/thumbnailUrl":"/assets/thumb/sustaining-gazes-1.jpg"},{"@id":"https://rubenvandeven.com/university/piet-zwart","@type":"https://schema.org/CollegeOrUniversity","https://schema.org/address":"Rotterdam","https://schema.org/educationalCredentialAwarded":{"@id":"https://rubenvandeven.com/degree/media-design"},"https://schema.org/name":"Piet Zwart Institute","https://schema.org/parentOrganization":{"@id":"https://rubenvandeven.com/organisation/willem-de-kooning-academie"}},{"@id":"https://rubenvandeven.com/venue/cruise-terminal","@type":"https://schema.org/EventVenue","https://schema.org/address":"Rotterdam","https://schema.org/name":"Cruise Terminal"},{"@id":"https://rubenvandeven.com/venue/tivoli","@type":"https://schema.org/EventVenue","https://schema.org/name":"Tivoli Vredeburg"},{"@id":"https://rubenvandeven.com/venue/zoho","@type":"https://schema.org/EventVenue","https://schema.org/address":"Rotterdam","https://schema.org/name":"ZOHO"},{"@id":"https://rubenvandeven.com/workshop/plotting-data-das-theatre","@type":"https://schema.org/Event","https://schema.org/alternateName":"Plotting the Enron Corpus","https://schema.org/description":"As part of the series Broadcast from Babylon.","https://schema.org/endDate":"2018-02-21","https://schema.org/name":"Workshop @ DAS Theatre","https://schema.org/organizer":{"@id":"https://rubenvandeven.com/plottingdata"},"https://schema.org/startDate":"2019-02-21","https://schema.org/url":"https://netdem.nl/en/articles/bfb-cp-5-creative-coding-and-workshop-plotting-data/"},{"@id":"https://rubenvandeven.com/workshop/plotting-data-onomatopee","@type":"https://schema.org/Event","https://schema.org/alternateName":"Plotting Data: Function Creep in the Wild","https://schema.org/description":"Datasets form a basis on which a city is made readable and interpretable foralgorithms, such as the those that process the endless streams of information coming from the cameras and sensors that stand scattered throughoutEindhoven. In this workshop, we will get acquainted with various ways in which data is collected and imagined. Who is being collected and what are the (dis)advantages of being represented? After an introduction into the types of biases that are inherent to their creation, we will combine hands-on work with pre-made scripts and discuss ways in which fiction and performance play a role in seeing like a dataset.","https://schema.org/endDate":"2018-06-12 18:30","https://schema.org/location":"Onomatopee","https://schema.org/name":"Workshop @ Onomatopee","https://schema.org/organizer":{"@id":"https://rubenvandeven.com/plottingdata"},"https://schema.org/startDate":"2019-06-12 16:00","https://schema.org/url":"https://www.onomatopee.net/exhibition/eindhoven-footnotes/#agenda_9839"},{"@id":"https://rubenvandeven.com/www","@type":"https://schema.org/WebSite","http://www.w3.org/2000/01/rdf-schema#seeAlso":["https://rubenvandeven.com/rubenvandeven.jsonld","https://git.rubenvandeven.com/r/portfolio"],"https://schema.org/author":{"@id":"https://rubenvandeven.com/"},"https://schema.org/description":"I am data! This website's graph structure is inspired by schema.org - an effort to structure all content on the www. Scaling and ordering is based on the PageRank algorithm: items wich are linked more are ordered on top. Good luck finding your way in this hyper structured portfolio.","https://schema.org/url":"https://rubenvandeven.com"}]}
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index a2617ce..bd42e16 100644
--- a/gulpfile.js
+++ b/gulpfile.js
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function createHtaccessFromFlattenedJsonld(flattened) {
let contentLines = [
"# Don't edit: generated using gulpfile.js",
- "RewriteEngine On"
+ "RewriteEngine On",
+ '',
+ "Order allow,deny",
+ "Deny from all",
+ "",
];
let typeLines = {}; // prevent duplicates
diff --git a/rubenvandeven.jsonld b/rubenvandeven.jsonld
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--- a/rubenvandeven.jsonld
+++ b/rubenvandeven.jsonld
@@ -201,6 +201,28 @@
}
],
"author": [
+ {
+ "@type": "ScholarlyArticle",
+ "name": " Inconsistent Projections: Con-Figuring Security Vision through Diagramming ",
+ "pageStart": "50",
+ "pageEnd": "65",
+ "isPartOf": "A Peer-Reviewed Journal About: Vol. 11 No. 1 (2022): Rendering Research",
+ "abstract": "In this paper we propose a time-based digital tool, a diagram-in-the-making, as to learn about computer vision in the field of security. With this method we want to map the heterogeneous and multiple nature of security vision tech- nologies and their imaginaries. Concretely, we conducted qualitative interviews with professionals who develop, use or militate against these technologies and asked them to draw a diagram as to support their narrative. In spatialising the conversation, the diagrams allow for a wide variety of actants and relations to emerge. The time-based unfolding of the lines enacts imaginaries of computer vision practices which are intrinsically intertwined with the narratives of which they are part. It creates space for hesitation, uncertainties, incongruities and complexities that would have been rendered invisible in a geographic map. Through the spatial, material and temporal unfoldings of the diagrams we learn that security vision imaginaries are partial and contradictory.",
+ "url": [
+ "https://aprja.net//article/view/134306"
+ ],
+ "identifier": "https://doi.org/10.7146/aprja.v11i1.134306",
+ "about": "https://git.rubenvandeven.com/security_vision/svganim",
+ "datePublished": "2022-10-18",
+ "author": [
+ {
+ "@id": "r:/person/ildiko-plajas",
+ "@type": "Person",
+ "name": "Ildikó Zonga Plájás",
+ "url": "http://ildikoplajas.com/"
+ }
+ ]
+ },
{
"@id": "r:/accept-and-work",
"@type": "CreativeWorkSeries",
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"@id": "r:/organisation/ccu"
},
"location": "Nijverheidsloods, Utrecht"
+ },
+ {
+ "@id": "r:/event/2022/dag-van-praktijkgericht-onderzoek",
+ "@type": "ExhibitionEvent",
+ "name": "Responsible Applied AI",
+ "startDate": "2022-09-29",
+ "url": "https://www.wdka.nl/news-events/dag-van-praktijkgericht-onderzoek-2022-responsible-applied-ai",
+ "organizer": {
+ "@id": "r:/organisation/willem-de-kooning-academie"
+ },
+ "location": "Hulstkamp-gebouw, Rotterdam"
}
],
"about": {
@@ -1104,7 +1137,13 @@
"@id": "r:/university/piet-zwart",
"@type": "CollegeOrUniversity",
"name": "Piet Zwart Institute",
- "address": "Rotterdam"
+ "address": "Rotterdam",
+ "parentOrganization": {
+ "@id": "r:/organisation/willem-de-kooning-academie",
+ "@type":"CollegeOrUniversity",
+ "name": "Willem de Kooning Academie",
+ "address": "Rotterdam"
+ }
},
"startDate": "2016-06-17",
"endDate": "2016-06-26",