PageRanking in gulpfile and hasCredential instead of attendee
This commit is contained in:
Ruben van de Ven
parent
4045f05121
commit
88ab656328
12
.htaccess
12
.htaccess
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@ -2,11 +2,18 @@
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RewriteEngine On
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RewriteRule "^2018/data-flaneur$" "index.html"
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RewriteRule "^2018/digital-cultures$" "index.html"
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RewriteRule "^2020/acts-of-collection-and-omission$" "index.html"
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RewriteRule "^article/choose-how-you-feel-you-have-seven-options$" "index.html"
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RewriteRule "^assets/video/guerilla_project.mp4$" "index.html"
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RewriteRule "^choose-how-you-feel-you-have-seven-options$" "index.html"
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RewriteRule "^degree/avm$" "index.html"
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RewriteRule "^degree/cddc$" "index.html"
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RewriteRule "^degree/mechanical-engineering$" "index.html"
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RewriteRule "^degree/media-design$" "index.html"
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RewriteRule "^emotionhero$" "index.html"
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RewriteRule "^event/2018/yama-ichi$" "index.html"
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RewriteRule "^event/2019/ccu-presentation$" "index.html"
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RewriteRule "^event/cqrrelations$" "index.html"
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RewriteRule "^event/creativity-and-cognition$" "index.html"
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RewriteRule "^exercises-in-overfitting$" "index.html"
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RewriteRule "^exercises-in-overfitting/image/1$" "index.html"
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@ -43,6 +50,7 @@ RewriteRule "^mvp3$" "index.html"
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RewriteRule "^mvp3/image/1$" "index.html"
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RewriteRule "^mvps$" "index.html"
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RewriteRule "^organisation/ccu$" "index.html"
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RewriteRule "^organisation/constant$" "index.html"
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RewriteRule "^organisation/nsvp$" "index.html"
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RewriteRule "^organisation/setup$" "index.html"
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RewriteRule "^organisation/v2_$" "index.html"
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@ -53,9 +61,11 @@ RewriteRule "^person/joseph-huot$" "index.html"
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RewriteRule "^person/merijn-van-moll$" "index.html"
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RewriteRule "^person/mikel-folgerts$" "index.html"
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RewriteRule "^person/ward-goes$" "index.html"
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RewriteRule "^pillow-talk$" "index.html"
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RewriteRule "^place/in4art$" "index.html"
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RewriteRule "^place/q21$" "index.html"
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RewriteRule "^plottingdata$" "index.html"
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RewriteRule "^residency/q21$" "index.html"
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RewriteRule "^residency/summer-sessions$" "index.html"
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RewriteRule "^samawati/video$" "index.html"
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RewriteRule "^spectacular-spectator-mood-meter$" "index.html"
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@ -73,6 +83,7 @@ RewriteRule "^@type/Event$" "index.html"
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RewriteRule "^@type/Report$" "index.html"
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RewriteRule "^@type/VideoObject$" "index.html"
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RewriteRule "^@type/MediaObject$" "index.html"
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RewriteRule "^@type/EducationalOccupationalCredential$" "index.html"
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RewriteRule "^@type/ExhibitionEvent$" "index.html"
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RewriteRule "^@type/ImageObject$" "index.html"
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RewriteRule "^@type/Festival$" "index.html"
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@ -83,5 +94,6 @@ RewriteRule "^@type/Person$" "index.html"
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RewriteRule "^@type/EventVenue$" "index.html"
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RewriteRule "^@type/Museum$" "index.html"
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RewriteRule "^@type/PerformingGroup$" "index.html"
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RewriteRule "^@type/VisualArtsEvent$" "index.html"
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RewriteRule "^@type/CollegeOrUniversity$" "index.html"
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RewriteRule "^@type/WebSite$" "index.html"
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@ -6,7 +6,7 @@ body {
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font-family: "DDINRegular", helvetica, sans-serif;
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font-weight: light;
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height: 100vh;
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background: black;
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background: #222;
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font-size: 12pt; }
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a, a:link, a:visited {
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@ -162,7 +162,7 @@ text {
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width: 0; }
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#nodeDetails .nodeType {
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font-size: 80%;
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text-transform: uppercase;
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font-variant-caps: small-caps;
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color: #999;
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margin-left: 10px; }
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#nodeDetails .nodeType:hover {
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@ -201,7 +201,8 @@ text {
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width: 170px;
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font-weight: bold;
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min-height: 25px;
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clear: both; }
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clear: both;
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word-wrap: anywhere; }
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#nodeDetails dd {
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min-height: 30px;
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margin-top: 5px; }
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@ -45,7 +45,7 @@ function getNodeYear(n) {
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return n['https://schema.org/datePublished'].substr(0, 4);
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}
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if (typeof n['https://schema.org/startDate'] !== 'undefined') {
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console.log(n['https://schema.org/startDate']);
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// console.log(n['https://schema.org/startDate']);
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return n['https://schema.org/startDate'].substr(0, 4);
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}
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if (typeof n['https://schema.org/endDate'] !== 'undefined') {
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@ -125,10 +125,24 @@ var graph;
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var nodeMap = {};
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var linkMap = {};
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var breadcrumbs = {};
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var weights = {};
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// load the flattened jsonld file
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var requestPromise = fetch('/assets/js/rubenvandeven.jsonld').then(function (r) {
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return r.json();
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}).then(function (data) {
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});
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var rankingPromise = fetch('/assets/js/ranking.json').then(function (r) {
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return r.json();
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});
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Promise.all([requestPromise, rankingPromise]).then(function (values) {
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if (values[0].hasOwnProperty('@graph')) {
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data = values[0];
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weights = values[1];
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} else {
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data = values[1];
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weights = values[0];
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}
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graph = jsonLdToGraph(data['@graph']);
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// create a map of nodes by id.
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for (var i in graph.nodes) {
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@ -199,8 +213,7 @@ var firstNodeId = "https://rubenvandeven.com/";
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function getSizeForNode(node) {
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if (node.hasOwnProperty('https://schema.org/thumbnailUrl')) return nodeSize;
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//if(weights[node['@id']])
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// return nodeSize * weights[node['@id']];
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if (weights[node['@id']]) return nodeSize * weights[node['@id']];
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if (node['@id'] == firstNodeId) return nodeSize * 1.2;
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// everynode has at least one link. these should equal 1
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return nodeSize * (.7 + Math.min(20, linkMap[node['@id']].length) / 40);
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@ -534,7 +547,7 @@ function startGraph(graph) {
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deselectNode();
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if (updateHistory) {
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// TODO: working
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console.log(types[0], getDisplayAttr(types[0]), types.map(getDisplayAttr));
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// console.log(types[0], getDisplayAttr(types[0]),types.map(getDisplayAttr));
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history.pushState({ types: types }, "", "/@type/" + types.map(getDisplayAttr).join("+"));
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} else {
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history.replaceState({ types: types }, "", "/@type/" + types.map(getDisplayAttr).join("+"));
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@ -729,11 +742,17 @@ function startGraph(graph) {
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}
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}
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// relationships / links in <dl>
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// relationships / links incomming <dl>
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for (var _attr in relDown) {
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var attrEl = document.createElement("dt");
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attrEl.innerHTML = getDisplayAttr(_attr);
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relsEl.appendChild(attrEl);
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// highest pagerank first:
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relDown[_attr].sort(function (a, b) {
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return weights[b['@id']] - weights[a['@id']];
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});
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for (var _i2 in relDown[_attr]) {
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var rel = relDown[_attr][_i2];
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relsEl.appendChild(createRelationshipEl(rel));
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@ -752,10 +771,17 @@ function startGraph(graph) {
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}
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}
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// relationships / links outgoing <dl>
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for (var _attr2 in relUp) {
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var _attrEl = document.createElement("dt");
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_attrEl.innerHTML = getDisplayAttr(_attr2);
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relsEl.appendChild(_attrEl);
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// highest pagerank first:
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relUp[_attr2].sort(function (a, b) {
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return weights[b['@id']] - weights[a['@id']];
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});
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for (var _i3 in relUp[_attr2]) {
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var _rel = relUp[_attr2][_i3];
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relsEl.appendChild(createRelationshipEl(_rel, _i3));
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File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
23
gulpfile.js
23
gulpfile.js
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@ -10,6 +10,7 @@ var browserSync = require('browser-sync');
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var jsonld = require('jsonld');
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var source = require('vinyl-source-stream');
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var buffer = require('vinyl-buffer');
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var exec = require('child_process').exec;
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var through = require('through2')
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@ -106,21 +107,39 @@ function createHtaccessFromFlattenedJsonld(flattened) {
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require('fs').writeFileSync('.htaccess', contentLines.join("\n")+"\n"+Object.values(typeLines).join("\n") + "\n");
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}
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gulp.task('jsonld', function(){
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function createPagerankFromFlattenedJsonld(done){
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exec('ranking/venv/bin/python ranking/jsonld_ranking.py -i assets/js/rubenvandeven.jsonld -o assets/js/ranking.json', function (err, stdout, stderr) {
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if(stdout)
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console.log(stdout);
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if(stderr)
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console.error(stderr);
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done(err);
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});
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}
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gulp.task('flattenJsonld', function() {
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return gulp.src(paths.data.src)
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.pipe(through.obj(function (file, enc, callback) {
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let data = JSON.parse(file.contents.toString(enc));
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var transformedFile = file.clone();
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// console.log(data);
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jsonld.flatten(data, {}, (err, flattened)=> {
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if(err) {
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console.error(err);
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}
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transformedFile.contents = Buffer.from(JSON.stringify(flattened), enc);
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createHtaccessFromFlattenedJsonld(flattened);
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callback(null, transformedFile)
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});
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}))
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.pipe(gulp.dest(paths.data.dest));
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.pipe(gulp.dest(paths.data.dest))
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});
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gulp.task('jsonld', gulp.series(
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'flattenJsonld',
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createPagerankFromFlattenedJsonld
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));
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var watchStylesAndScripts = function() {
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gulp.watch(paths.styles.src, gulp.series('styles'));
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gulp.watch(paths.scripts.src,gulp.series('scripts', reload));
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File diff suppressed because one or more lines are too long
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@ -1,10 +1,20 @@
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from pyld import jsonld
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import json
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import PageRank.pagerank as pagerank
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import argparse
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parser = argparse.ArgumentParser(description='Apply pagerank to the (flattened) JSONLD file')
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parser.add_argument('--jsonld', '-i', metavar='FILENAME.JSONLD', type=str,
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required=True,
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help='Input filename, make sure to use the flattened JSONLD (in our case from the \'assets\' folder)')
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parser.add_argument('--output', '-o', type=str,
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default=None, metavar='FILENAME.JSON',
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help='Optional output filename for the resulting JSON')
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args = parser.parse_args()
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# use flattened jsonld
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with open('../assets/js/rubenvandeven.jsonld', 'r') as fp:
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with open(args.jsonld, 'r') as fp:
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contents = json.load(fp)['@graph']
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linksPerItem = {}
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@ -17,6 +27,7 @@ def addCount(fromId, toId, weight):
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linksPerItem[fromId][toId] += weight
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def addLink(fromId, toId, weight = 1):
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# Add link both ways: from + to.
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addCount(fromId, toId, weight)
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addCount(toId, fromId, weight)
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@ -49,7 +60,13 @@ targetMax = 1.5
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values = pagerank.powerIteration(linksPerItem)
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normalised = targetMin + (values - min(values)) * (targetMax-targetMin)/max(values)
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print(json.dumps(dict(normalised)))
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if args.output is None:
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print(json.dumps(dict(normalised)))
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else:
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with open(args.output, 'w') as fp:
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json.dump(dict(normalised), fp)
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#
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# factor = 1 / min(values)
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# print(factor)
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@ -7,9 +7,11 @@
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"@type": "WebSite",
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"@id": "r:/www",
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"url": "https://rubenvandeven.com",
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"s:seeAlso": [ "https://rubenvandeven.com/rubenvandeven.jsonld", "https://git.rubenvandeven.com/r/portfolio"],
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"author":
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{
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"s:seeAlso": [
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"https://rubenvandeven.com/rubenvandeven.jsonld",
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"https://git.rubenvandeven.com/r/portfolio"
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],
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"author": {
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"@id": "r:/",
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"@type": "Person",
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"name": "Ruben van de Ven",
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@ -23,13 +25,26 @@
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"@type": "PerformingGroup",
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"name": "Plotting Data: dramatisation as tactic",
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"url": "http://plottingd.at/a",
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"foundingDate": "2018",
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"description": "A research into <em>Data Dramatisation</em> as a tactic to make data visualisations more transparent in their underlying procedures of data collection. We advocate a form of data literacy that is not so much focussed on programming skill, but rather one that brings an understanding of data infrastructures: allowing for restistance against data driven governance.",
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"temporalCoverage": "2018-2020",
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"description": "A research into <em>Data Dramatisation</em> as a tactic to make data visualisations more transparent in their underlying procedures of data collection. We advocate a form of data literacy that is not so much focussed on programming skill, but rather one that brings an understanding of data infrastructures: allowing for restistance against data driven governance.\n\nWith support of the Creative Industries Fund NL.",
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"member": [
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{"@id": "r:/person/cristina-cochior"}
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{
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"@id": "r:/person/cristina-cochior"
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}
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],
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"@reverse": {
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"about": [
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{
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"@id": "r:/2020/acts-of-collection-and-omission",
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"@type": "Event",
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"name": "Acts of Collection and Omission",
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"url": "https://digitalculturesconference.org/",
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"startDate": "2020-03-11 19:30",
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"endDate": "2020-03-11 22:00",
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"organizer": "Centre for Digital Cultures & Institute for Culture and Society",
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"description": "The event will host three rounds of conversations that will introduce various datasets and artistic ways of interfacing them.\n\nAlgorithmic models learn to distinguish patterns and make predictions by attempting to imitate existing structures in vast collections of data. In the process of creating these datasets, conflict and ambiguity are omitted in favour of turning the world into its computable double. How do we bring forth narratives that make other interpretations possible?\n\nPlotting Data was a series of workshops held by Cristina Cochior & Ruben van de Ven in 2019, which explored the biases and tensions within datasets that underlie systems for automated decision making. Discussions, presentations and performances fed into the creation of digital interfaces that emphasise the inherently performative characteristics of datasets.\n\nThis final event marks the end of this project and the release of the Acts of Collection and Omission digital publication. Two tables will be hosted by invited artists Julie Boschat Thorez & Sami Hammana and Nicolas Malevé, while the third table will give an overview of the publication.",
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"location": "Framer Framed & Netwerk Democratie, Amsterdam"
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},
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{
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"@id": "r:/2018/digital-cultures",
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"@type": "Event",
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@ -60,7 +75,7 @@
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"alternateName": "Data Flâneur - seeing and being seen in the data driven city",
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"startDate": "2018-11-04",
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"endDate": "2018-11-04",
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"url":"https://creativecodingutrecht.nl/2018/10/20/the-data-flaneur-seen-and-being-seen-in-the-data-driven-city-tour/",
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"url": "https://creativecodingutrecht.nl/2018/10/20/the-data-flaneur-seen-and-being-seen-in-the-data-driven-city-tour/",
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"description": "Inspired by Alison Powell’s ‘data walk’, the <em>Flaneur</em> twists her concept by not only making participants aware of data collection within the city, but also by making them experiment with data collection for their own purposes. By zooming in on the procedures of selection, classification and digitisation, participants experience the intricacies of data collection.",
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"superEvent": {
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"@id": "r:/exhibition/hello-world",
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@ -83,7 +98,7 @@
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"alternateName": "Plotting the Enron Corpus",
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"startDate": "2019-02-21",
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"endDate": "2018-02-21",
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"url":"https://netdem.nl/en/articles/bfb-cp-5-creative-coding-and-workshop-plotting-data/",
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"url": "https://netdem.nl/en/articles/bfb-cp-5-creative-coding-and-workshop-plotting-data/",
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"description": "As part of the series Broadcast from Babylon."
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},
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{
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@ -93,7 +108,7 @@
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"alternateName": "Plotting Data: Function Creep in the Wild",
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"startDate": "2019-06-12 16:00",
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"endDate": "2018-06-12 18:30",
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"url":"https://www.onomatopee.net/exhibition/eindhoven-footnotes/#agenda_9839",
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"url": "https://www.onomatopee.net/exhibition/eindhoven-footnotes/#agenda_9839",
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"location": "Onomatopee",
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"description": "Datasets form a basis on which a city is made readable and interpretable foralgorithms, such as the those that process the endless streams of information coming from the cameras and sensors that stand scattered throughoutEindhoven. In this workshop, we will get acquainted with various ways in which data is collected and imagined. Who is being collected and what are the (dis)advantages of being represented? After an introduction into the types of biases that are inherent to their creation, we will combine hands-on work with pre-made scripts and discuss ways in which fiction and performance play a role in seeing like a dataset."
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}
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@ -101,61 +116,14 @@
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}
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}
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],
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"attendee": [
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{
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"@id": "r:/residency/summer-sessions",
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"@type": "VisualArtsEvent",
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"name": "Residency: Summer Sessions 2016",
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"url": [
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"http://summersessions.net/17-projects/projects-2016/55-emotion-hero",
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"http://www.arquivo237.com/en/Passado/manipulation-emotion-hero-2/"
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],
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"description": "I was part of the Summer Sessions Network for Talent Development in a co-production of Arquivo 237 and V2_ Lab for the Unstable Media, with support of the Creative Industries Fund NL.",
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"startDate": "2016-09",
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"endDate": "2016-10",
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"about": {
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"@id": "r:/emotionhero"
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}
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},
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{
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"@id": "r:/residency/q21",
|
||||
"@type": "VisualArtsEvent",
|
||||
"name": "Residency: Q21",
|
||||
"startDate": "2017-01",
|
||||
"endDate": "2017-02",
|
||||
"url": "https://www.mqw.at/institutionen/q21/artists-in-residence/2016/ruben-van-de-ven/",
|
||||
"@reverse": {
|
||||
"subEvent": {
|
||||
"@id": "r:/exhibition/mood_swings"
|
||||
}
|
||||
},
|
||||
"location": {
|
||||
"@id": "r:/place/q21"
|
||||
}
|
||||
},
|
||||
{
|
||||
"@id": "r:/event/cqrrelations",
|
||||
"@type": "Event",
|
||||
"name": "Cqrrelations Worksession",
|
||||
"url": "http://cqrrelations.constantvzw.org/",
|
||||
"startDate": "2015-01-18",
|
||||
"endDate": "2015-01-23",
|
||||
"organizer": {
|
||||
"@id": "r:/organisation/constant",
|
||||
"url": "http://constantvzw.org",
|
||||
"@type": "Organization",
|
||||
"name": "Constant"
|
||||
}
|
||||
}
|
||||
],
|
||||
"organiser": [
|
||||
{
|
||||
"@type":"EducationEvent",
|
||||
"@type": "EducationEvent",
|
||||
"name": "Workshop - API: Artistic Point Of Interferance",
|
||||
"alternateName": "API-art & situated fictions",
|
||||
"location": "AKV St. Joost, Breda",
|
||||
"description": "A presentation & workshop about working with APIs as an artist. In collaboration with Manetta Berends & Max Dovey",
|
||||
"url":"https://caradt.com/2017/03/07/ekv-13-march-lecture-by-human-index/",
|
||||
"url": "https://caradt.com/2017/03/07/ekv-13-march-lecture-by-human-index/",
|
||||
"startDate": "2017-03-13",
|
||||
"endDate": "2017-03-14",
|
||||
"organiser": [
|
||||
|
|
@ -183,36 +151,36 @@
|
|||
{
|
||||
"@id": "r:/guest-worker/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/guest_worker01.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/guest_worker01.jpg"
|
||||
"contentUrl": "/assets/image/guest_worker01.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/guest_worker01.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/guest-worker/image/2",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/guest_worker02.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/guest_worker02.jpg"
|
||||
"contentUrl": "/assets/image/guest_worker02.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/guest_worker02.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/guest-worker/image/3",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/guest_worker03.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/guest_worker03.jpg"
|
||||
"contentUrl": "/assets/image/guest_worker03.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/guest_worker03.jpg"
|
||||
}
|
||||
],
|
||||
"video": [
|
||||
{
|
||||
"@id": "r:/guest-worker/video/outcome",
|
||||
"@type": "VideoObject",
|
||||
"thumbnailUrl": "/assets\/thumb\/guest_worker04.jpg",
|
||||
"contentUrl": "http://works.rubenvandeven.com/2019-guest_worker/guestworker-without-credits.mp4" ,
|
||||
"thumbnailUrl": "/assets/thumb/guest_worker04.jpg",
|
||||
"contentUrl": "http://works.rubenvandeven.com/2019-guest_worker/guestworker-without-credits.mp4",
|
||||
"encodingFormat": "video/mp4",
|
||||
"videoFrameSize": "1920x1080"
|
||||
},
|
||||
{
|
||||
"@id": "r:/guest-worker/video/process",
|
||||
"@type": "VideoObject",
|
||||
"thumbnailUrl": "/assets\/thumb\/guest_worker05.jpg",
|
||||
"contentUrl": "http://works.rubenvandeven.com/2019-guest_worker/GuestWorker.mp4" ,
|
||||
"thumbnailUrl": "/assets/thumb/guest_worker05.jpg",
|
||||
"contentUrl": "http://works.rubenvandeven.com/2019-guest_worker/GuestWorker.mp4",
|
||||
"encodingFormat": "video/mp4",
|
||||
"videoFrameSize": "1920x1080"
|
||||
}
|
||||
|
|
@ -230,7 +198,9 @@
|
|||
"name": "Beyond Human",
|
||||
"url": "https://www.beyondhuman.nl/event/setup/",
|
||||
"organizer": [
|
||||
{"@id": "r:/organisation/setup"},
|
||||
{
|
||||
"@id": "r:/organisation/setup"
|
||||
},
|
||||
{
|
||||
"@id": "r:/organisation/nsvp",
|
||||
"@type": "Organization",
|
||||
|
|
@ -256,7 +226,7 @@
|
|||
"@type": "Organization",
|
||||
"name": "Setup",
|
||||
"address": "Utrecht",
|
||||
"url":"https://www.setup.nl/"
|
||||
"url": "https://www.setup.nl/"
|
||||
},
|
||||
"workFeatured": []
|
||||
},
|
||||
|
|
@ -291,7 +261,9 @@
|
|||
"@type": "Event",
|
||||
"name": "Presentation @ Creative Coding Utrecht",
|
||||
"startDate": "2019-10-31",
|
||||
"organizer": {"@id": "r:/organisation/ccu"},
|
||||
"organizer": {
|
||||
"@id": "r:/organisation/ccu"
|
||||
},
|
||||
"location": "Nijverheidsloods, Utrecht"
|
||||
}
|
||||
],
|
||||
|
|
@ -311,23 +283,27 @@
|
|||
"name": "Exercises in overfitting",
|
||||
"dateCreated": "2019",
|
||||
"description": "I taught a computer how to write the name of my son. The progression of this machine learning processes is materialised with a pen plotter.",
|
||||
"s:seeAlso": [ "https://gitlab.com/rubenvandeven/diede"],
|
||||
"s:seeAlso": [
|
||||
"https://gitlab.com/rubenvandeven/diede"
|
||||
],
|
||||
"image": [
|
||||
{
|
||||
"@id": "r:/exercises-in-overfitting/image/2",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/exercises-in-overfitting2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/exercises-in-overfitting2.jpg"
|
||||
"contentUrl": "/assets/image/exercises-in-overfitting2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/exercises-in-overfitting2.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/exercises-in-overfitting/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/exercises-in-overfitting1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/exercises-in-overfitting1.jpg"
|
||||
"contentUrl": "/assets/image/exercises-in-overfitting1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/exercises-in-overfitting1.jpg"
|
||||
}
|
||||
],
|
||||
"@reverse": {
|
||||
"workFeatured": {"@id": "r:/event/2019/ccu-presentation"}
|
||||
"workFeatured": {
|
||||
"@id": "r:/event/2019/ccu-presentation"
|
||||
}
|
||||
}
|
||||
},
|
||||
{
|
||||
|
|
@ -340,8 +316,8 @@
|
|||
{
|
||||
"@id": "r:/heartbeat/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/data-double-black-market.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/data-double-black-market.jpg"
|
||||
"contentUrl": "/assets/image/data-double-black-market.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/data-double-black-market.jpg"
|
||||
}
|
||||
],
|
||||
"@reverse": {
|
||||
|
|
@ -349,7 +325,9 @@
|
|||
"@id": "r:/event/2018/yama-ichi",
|
||||
"@type": "ExhibitionEvent",
|
||||
"name": "Yama Ichi Black Market",
|
||||
"location": {"@id":"r:/venue/tivoli"}
|
||||
"location": {
|
||||
"@id": "r:/venue/tivoli"
|
||||
}
|
||||
}
|
||||
}
|
||||
},
|
||||
|
|
@ -397,14 +375,14 @@
|
|||
{
|
||||
"@id": "r:/sustaining-gazes/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/sustaining-gazes-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/sustaining-gazes-2.jpg"
|
||||
"contentUrl": "/assets/image/sustaining-gazes-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/sustaining-gazes-2.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/sustaining-gazes/image/2",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/sustaining-gazes-1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/sustaining-gazes-1.jpg"
|
||||
"contentUrl": "/assets/image/sustaining-gazes-1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/sustaining-gazes-1.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -413,7 +391,7 @@
|
|||
"@type": "CreativeWorkSeries",
|
||||
"name": "MVPs",
|
||||
"about": "November 2017 In4Art approached me to be part of their KickstART project. They commissioned three works to be part of their auction. The goal was to explicitly develop works that fitted the commercial art scene.\n\nRather than creating 'sellable' works myself, I took the start-up culture that forms the foundation of In4Art, as my object of my series. I augmented the works of three other participants with business models taken from the online/digital realm. This resulted in three <em>Minimum Viable Products</em>. Recontextualising these business models towards an arts context, results in new perspectives on both the arts as well as start-up culture.",
|
||||
"dateCreated":"2018",
|
||||
"dateCreated": "2018",
|
||||
"hasPart": [
|
||||
{
|
||||
"@id": "r:/mvp1",
|
||||
|
|
@ -463,20 +441,20 @@
|
|||
{
|
||||
"@id": "r:/mvp1/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp1-1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp1-1.jpg"
|
||||
"contentUrl": "/assets/image/mvp1-1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp1-1.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/mvp1/image/2",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp1-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp1-2.jpg"
|
||||
"contentUrl": "/assets/image/mvp1-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp1-2.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/mvp1/image/3",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp1-4.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp1-4.jpg"
|
||||
"contentUrl": "/assets/image/mvp1-4.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp1-4.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -486,8 +464,8 @@
|
|||
"name": "MVP#2 Joseph Huot's Limited Edition",
|
||||
"dateCreated": "2018",
|
||||
"description": "In September 2017, huricane Irma was racing towards Florida. Everybody tried to get away from there as quick as possible. Stuck were those with the electric Tesla Model S with the cheaper battery option (60kWh). Then, all of a sudden, Tesla send a software update to these cars. The cars could drive futher then ever before. Until 72 hours later, Tesla reversed the software update. Exactly the same car could drive shorter distances.\n\nThis is the business of software companies: just like Apple limits performance on old iPhones, Tesla used softare to limit the reach of its cars in order to make more money. While physically the exact same product, it can do less.\n\n<em>Minimum Viable Product #2</em> brings this business model to the art world. It provides a <em>limited</em> edition of a drawing by Joseph Huot.",
|
||||
"width":"32.5cm",
|
||||
"height":"50cm",
|
||||
"width": "32.5cm",
|
||||
"height": "50cm",
|
||||
"artworkSurface": "Pencil drawing in metal LCD enclosure",
|
||||
"contributor": {
|
||||
"@id": "r:/person/joseph-huot",
|
||||
|
|
@ -496,8 +474,7 @@
|
|||
"url": "http://www.joseph-huot.com/"
|
||||
},
|
||||
"@reverse": {
|
||||
"workFeatured":
|
||||
{
|
||||
"workFeatured": {
|
||||
"@id": "r:/exhibition/kickstart"
|
||||
}
|
||||
},
|
||||
|
|
@ -505,20 +482,20 @@
|
|||
{
|
||||
"@id": "r:/mvp2/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp2-01.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp2-01.jpg"
|
||||
"contentUrl": "/assets/image/mvp2-01.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp2-01.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/mvp2/image/2",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp2-02.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp2-02.jpg"
|
||||
"contentUrl": "/assets/image/mvp2-02.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp2-02.jpg"
|
||||
},
|
||||
{
|
||||
"@id": "r:/mvp2/image/3",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp2-5.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp2-5.jpg"
|
||||
"contentUrl": "/assets/image/mvp2-5.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp2-5.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -528,8 +505,8 @@
|
|||
"name": "MVP#3 Customiseyour.art - Mikel Folgerts 1/3",
|
||||
"dateCreated": "2018",
|
||||
"description": "On YouTube, Instagram, and many other online platforms, celebrities get paid to place consumer products in their videos. Not prominently, but hidden in plain sight. Can precarious artists finance their work by employing this product placement?\n\n<em>Minimum Viable Product</em> #3 allows buyers to customise the work they bought —Rotterdam, by Mikel Folgerts—, linking the status of the artist to their product.",
|
||||
"width":"40cm",
|
||||
"height":"40cm",
|
||||
"width": "40cm",
|
||||
"height": "40cm",
|
||||
"artworkSurface": "Personalised print on perspex",
|
||||
"contributor": {
|
||||
"@id": "r:/person/mikel-folgerts",
|
||||
|
|
@ -538,8 +515,7 @@
|
|||
"url": "https://www.instagram.com/mikelfolgerts/"
|
||||
},
|
||||
"@reverse": {
|
||||
"workFeatured":
|
||||
{
|
||||
"workFeatured": {
|
||||
"@id": "r:/exhibition/kickstart"
|
||||
}
|
||||
},
|
||||
|
|
@ -547,8 +523,8 @@
|
|||
{
|
||||
"@id": "r:/mvp3/image/1",
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/mvp3-1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/mvp3-1.jpg"
|
||||
"contentUrl": "/assets/image/mvp3-1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/mvp3-1.jpg"
|
||||
}
|
||||
]
|
||||
}
|
||||
|
|
@ -580,23 +556,23 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/moodmeter1-1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/moodmeter1-1.jpg"
|
||||
"contentUrl": "/assets/image/moodmeter1-1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/moodmeter1-1.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/moodmeter2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/moodmeter2.jpg"
|
||||
"contentUrl": "/assets/image/moodmeter2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/moodmeter2.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/moodmeter3.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/moodmeter3.jpg"
|
||||
"contentUrl": "/assets/image/moodmeter3.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/moodmeter3.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/moodmeter4.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/moodmeter4.jpg"
|
||||
"contentUrl": "/assets/image/moodmeter4.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/moodmeter4.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -605,7 +581,7 @@
|
|||
"@type": "MediaObject",
|
||||
"dateCreated": "2016",
|
||||
"name": "Emotion Hero",
|
||||
"description": "Emotion recognition software is being used both as a tool for \u2018objective\u2019 measurements as well as a tool for training one\u2019s facial expressions, eg. for job interviews. Emotion Hero is a literal translation of the paradoxical relation between these applications of the technology.\n\nEmotion Hero is a two-part artwork. On the one hand is a video-game that is freely downloadable for everybody with an Android device (see <a href=\"https://play.google.com\/store\/apps\/details?id=com.rubenvandeven.emotion_hero\">Google Play<\/a>). Inspired by Guitar Hero, the user scores points by following given cues. It provides detailed feedback on the mechanics of the face (eg. \u201cYou showed on 10% Joy when you had to show 100%, smile 99.32% more.\u201d), revealing that rather than being a window into the brain, the face is a controllable surface.\n\nThe second part is a projection that shows the aggregated scores of the game. In order to substantiate their discourse, companies in facial expression measurement employ a huge amount of data collection and processing. The results are displayed in a fixed grid, recalling historical practices that, trough extensive measurement and administration, also aimed to delineate something which is conceptually undelineated: think of Duchenne de Boulogne, Lombroso, and Charcot.\n\nEmotion Hero is a playful invitation to open up the box of expression analysis to reveal the assumptions that underlie this technology.\nThe game's emotional intelligence is powered by Affectiva (I was also <a href=\"http://blog.affectiva.com\/sdk-on-the-spot-emotion-hero-app-encourages-play-with-facial-expressions\">interviewed<\/a> by them).",
|
||||
"description": "Emotion recognition software is being used both as a tool for ‘objective’ measurements as well as a tool for training one’s facial expressions, eg. for job interviews. Emotion Hero is a literal translation of the paradoxical relation between these applications of the technology.\n\nEmotion Hero is a two-part artwork. On the one hand is a video-game that is freely downloadable for everybody with an Android device (see <a href=\"https://play.google.com/store/apps/details?id=com.rubenvandeven.emotion_hero\">Google Play</a>). Inspired by Guitar Hero, the user scores points by following given cues. It provides detailed feedback on the mechanics of the face (eg. “You showed on 10% Joy when you had to show 100%, smile 99.32% more.”), revealing that rather than being a window into the brain, the face is a controllable surface.\n\nThe second part is a projection that shows the aggregated scores of the game. In order to substantiate their discourse, companies in facial expression measurement employ a huge amount of data collection and processing. The results are displayed in a fixed grid, recalling historical practices that, trough extensive measurement and administration, also aimed to delineate something which is conceptually undelineated: think of Duchenne de Boulogne, Lombroso, and Charcot.\n\nEmotion Hero is a playful invitation to open up the box of expression analysis to reveal the assumptions that underlie this technology.\nThe game's emotional intelligence is powered by Affectiva (I was also <a href=\"http://blog.affectiva.com/sdk-on-the-spot-emotion-hero-app-encourages-play-with-facial-expressions\">interviewed</a> by them).",
|
||||
"url": "https://emotionhero.com",
|
||||
"@reverse": {
|
||||
"workFeatured": [
|
||||
|
|
@ -616,7 +592,7 @@
|
|||
"@type": "EventVenue",
|
||||
"name": "Fokker Terminal"
|
||||
},
|
||||
"url":"https://ecp.nl/jaarcongres/kunst-expo-2018/",
|
||||
"url": "https://ecp.nl/jaarcongres/kunst-expo-2018/",
|
||||
"startDate": "2018-11-15",
|
||||
"endDate": "2018-11-15",
|
||||
"workFeatured": []
|
||||
|
|
@ -632,8 +608,8 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/eh-shenzen.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/eh-shenzen.jpg"
|
||||
"contentUrl": "/assets/image/eh-shenzen.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/eh-shenzen.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -668,8 +644,10 @@
|
|||
{
|
||||
"@type": "ExhibitionEvent",
|
||||
"name": "Plan D",
|
||||
"url": ["http://2017.pland.hr/",
|
||||
"http://2017.pland.hr/vijesti/dodijeljena-nagrada-i-pocasne-diplome-festivala-plan-d/"],
|
||||
"url": [
|
||||
"http://2017.pland.hr/",
|
||||
"http://2017.pland.hr/vijesti/dodijeljena-nagrada-i-pocasne-diplome-festivala-plan-d/"
|
||||
],
|
||||
"location": "Zagreb",
|
||||
"startDate": "2017-10",
|
||||
"endDate": "2018-10",
|
||||
|
|
@ -687,7 +665,9 @@
|
|||
},
|
||||
"startDate": "2017-09",
|
||||
"endDate": "2017-09",
|
||||
"organiser": { "@id":"r:/organisation/v2_" },
|
||||
"organiser": {
|
||||
"@id": "r:/organisation/v2_"
|
||||
},
|
||||
"funded": "Creative Industries Fund",
|
||||
"workFeatured": []
|
||||
},
|
||||
|
|
@ -695,7 +675,10 @@
|
|||
"@id": "r:/event/creativity-and-cognition",
|
||||
"@type": "ExhibitionEvent",
|
||||
"name": "Microbites of Creativity",
|
||||
"url": ["http://microbites.me/","http://cc.acm.org/2017/microbites/?ArtworksCC2017/"],
|
||||
"url": [
|
||||
"http://microbites.me/",
|
||||
"http://cc.acm.org/2017/microbites/?ArtworksCC2017/"
|
||||
],
|
||||
"organiser": "ACM Creativity & Cognition",
|
||||
"location": {
|
||||
"@type": "Museum",
|
||||
|
|
@ -735,7 +718,7 @@
|
|||
"@type": "Festival",
|
||||
"name": "STATE Festival",
|
||||
"address": "Berlin",
|
||||
"url":"https://www.statefestival.org/"
|
||||
"url": "https://www.statefestival.org/"
|
||||
}
|
||||
},
|
||||
"startDate": "2016-11-04",
|
||||
|
|
@ -746,7 +729,7 @@
|
|||
"@type": "ExhibitionEvent",
|
||||
"name": "Manipulation: Emotion Hero",
|
||||
"description": "I organised this exhibition as part of my Summer Sessions residency at Arquivo237. It was a modest exhibition covering my research on emotion recognition software.",
|
||||
"url":"https://www.facebook.com/events/589274264578244/",
|
||||
"url": "https://www.facebook.com/events/589274264578244/",
|
||||
"location": {
|
||||
"@type": "EventVenue",
|
||||
"name": "Arquivo237",
|
||||
|
|
@ -766,21 +749,22 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/emotionhero1-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/emotionhero1-2.jpg"
|
||||
"contentUrl": "/assets/image/emotionhero1-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/emotionhero1-2.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/emotionhero2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/emotionhero2.jpg"
|
||||
"contentUrl": "/assets/image/emotionhero2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/emotionhero2.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
{
|
||||
"@type": "MediaObject",
|
||||
"@id": "r:/choose-how-you-feel-you-have-seven-options",
|
||||
"name": "Choose How You Feel; You Have Seven Options",
|
||||
"dateCreated": "2016",
|
||||
"duration":"9M9S (∞ loop)",
|
||||
"duration": "9M9S (∞ loop)",
|
||||
"artworkSurface": "3 projections",
|
||||
"description": "What does it mean to feel 47% happy and 21% surprised? <em>Choose how you feel; you have seven options</em> is a video work that revolves around this question as it looks at software that derives emotional parameters from facial expressions. It combines human accounts and algorithmic processing to examine the intersection of highly cognitive procedures and ambiguous experiences. Born from a fascination with the technological achievements, the work interrogates the discursive apparatus the software is embedded in.\n\nThis work builds on my research into the workings of expression analysis technologies and the assumptions that underlie it, scrutinising the claims that are made by the companies developing the software.",
|
||||
"@reverse": {
|
||||
|
|
@ -824,20 +808,23 @@
|
|||
},
|
||||
"startDate": "2016-06-17",
|
||||
"endDate": "2016-06-26",
|
||||
"workFeatured": []
|
||||
"workFeatured": [],
|
||||
"about": {
|
||||
"@id": "r:/degree/media-design"
|
||||
}
|
||||
}
|
||||
]
|
||||
},
|
||||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/choosehowyoufeel2-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/choosehowyoufeel2-2.jpg"
|
||||
"contentUrl": "/assets/image/choosehowyoufeel2-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/choosehowyoufeel2-2.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/choosehowyoufeel.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/choosehowyoufeel.jpg"
|
||||
"contentUrl": "/assets/image/choosehowyoufeel.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/choosehowyoufeel.jpg"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -857,25 +844,25 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/eye_0-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/eye_0-2.jpg"
|
||||
"contentUrl": "/assets/image/eye_0-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/eye_0-2.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/eye_3-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/eye_3-2.jpg"
|
||||
"contentUrl": "/assets/image/eye_3-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/eye_3-2.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/eye_6-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/eye_6-2.jpg"
|
||||
"contentUrl": "/assets/image/eye_6-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/eye_6-2.jpg"
|
||||
}
|
||||
],
|
||||
"video": {
|
||||
"@id": "r:/eye-without-a-face/video",
|
||||
"@type": "VideoObject",
|
||||
"thumbnailUrl": "/assets\/thumb\/eye_1.jpg",
|
||||
"contentUrl": "http://works.rubenvandeven.com/2016-eye_without_a_face/EyeWithoutAFace.mp4" ,
|
||||
"thumbnailUrl": "/assets/thumb/eye_1.jpg",
|
||||
"contentUrl": "http://works.rubenvandeven.com/2016-eye_without_a_face/EyeWithoutAFace.mp4",
|
||||
"encodingFormat": "video/mp4",
|
||||
"videoFrameSize": "1920x1080"
|
||||
},
|
||||
|
|
@ -884,7 +871,7 @@
|
|||
{
|
||||
"@type": "ExhibitionEvent",
|
||||
"name": "Video Vortex",
|
||||
"url":"https://issuu.com/instituteofnetworkcultures/docs/catalouge_compiled_final__29-03_/29",
|
||||
"url": "https://issuu.com/instituteofnetworkcultures/docs/catalouge_compiled_final__29-03_/29",
|
||||
"location": {
|
||||
"@type": "Place",
|
||||
"name": " Mill Hall / Kochi-Muzeris biennial",
|
||||
|
|
@ -896,7 +883,7 @@
|
|||
{
|
||||
"@type": "ExhibitionEvent",
|
||||
"name": "Grand Instant Fiction",
|
||||
"url":"http://umakart.tumblr.com/post/169464483314/grand-instant-fiction-10-sakrowski-evil",
|
||||
"url": "http://umakart.tumblr.com/post/169464483314/grand-instant-fiction-10-sakrowski-evil",
|
||||
"location": {
|
||||
"@type": "EventVenue",
|
||||
"name": "Umakart Gallery",
|
||||
|
|
@ -909,7 +896,7 @@
|
|||
"@type": "ExhibitionEvent",
|
||||
"name": "Boundaries of the Archive",
|
||||
"description": "The Piet Zwart Institute at the Eye Film Museum in Amsterdam as part of its ResearchLab series. The exhibition focussed on the boundaries of the archive. Studying the structures and cultural impacts of our media technologies, it concentrated on the intricate and usually hidden aspects of EYE's extensive archive",
|
||||
"url":"https://www.eyefilm.nl/film/boundaries-of-the-archive-research-lab-piet-zwart-institute",
|
||||
"url": "https://www.eyefilm.nl/film/boundaries-of-the-archive-research-lab-piet-zwart-institute",
|
||||
"location": {
|
||||
"@type": "Museum",
|
||||
"name": "EYE Film Museum",
|
||||
|
|
@ -928,7 +915,9 @@
|
|||
"pageEnd": "423",
|
||||
"isPartOf": [
|
||||
"C&C '17 Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition",
|
||||
{"@id": "r:/event/creativity-and-cognition"}
|
||||
{
|
||||
"@id": "r:/event/creativity-and-cognition"
|
||||
}
|
||||
],
|
||||
"description": "What does it mean to feel 62% joy, and 15% surprised? Over the past years the digitization of emotions is booming business: multimillion dollar investments are made in technologies of which is claimed that they give companies an objective view in their consumers' feelings. The video-game-artwork Emotion Hero challenges the user to investigate this claim and question the premise of the technology. Emotion Hero is a two-part artwork. On the one hand is a video-game that is freely downloadable for everybody with an Android device. Inspired by Guitar Hero, the user scores points by following given cues. It provides detailed feedback on the mechanics of the face. The second part is a projection that shows a grid with aggregated scores of the game, that updates live. In its design, the grid refers to 19th century positivist practices.",
|
||||
"url": "https://doi.org/10.1145/3059454.3059490/",
|
||||
|
|
@ -962,7 +951,10 @@
|
|||
"name": "Presentation @ BARTALK #12: Coded Gestures",
|
||||
"startDate": "2018-10-26",
|
||||
"endDate": "2018-10-26",
|
||||
"organizer": ["Yun Ingrid Lee", "Rae Parnell"],
|
||||
"organizer": [
|
||||
"Yun Ingrid Lee",
|
||||
"Rae Parnell"
|
||||
],
|
||||
"location": "Doornroosje, Rotterdam",
|
||||
"url": "https://bartalkdh.wordpress.com/bartalk-12-coded-gestures/"
|
||||
},
|
||||
|
|
@ -973,7 +965,7 @@
|
|||
"endDate": "2018-05-25",
|
||||
"organizer": "Media Lab UFRJ & Dutch Consulate",
|
||||
"location": "Rio de Janeiro",
|
||||
"url":"http://medialabufrj.net/"
|
||||
"url": "http://medialabufrj.net/"
|
||||
},
|
||||
{
|
||||
"@type": "Event",
|
||||
|
|
@ -1032,7 +1024,9 @@
|
|||
"@type": "Event",
|
||||
"name": "Presentation @ Creative Coding Utrecht",
|
||||
"startDate": "2017",
|
||||
"organizer": {"@id": "r:/organisation/ccu"},
|
||||
"organizer": {
|
||||
"@id": "r:/organisation/ccu"
|
||||
},
|
||||
"location": "Stadstuin, Utrecht"
|
||||
},
|
||||
{
|
||||
|
|
@ -1114,18 +1108,18 @@
|
|||
"@type": "MediaObject",
|
||||
"name": "We know how you feel",
|
||||
"dateCreated": "2015",
|
||||
"description": "A two-part artwork and my first work on software that derives emotional parameters from facial expressions. The first part displays the <em>Mind Reading Emotions Library<\/em>, an interactive collection of videos, audio fragments and scenes depicting 412 distinct emotions —ranging from `angry' to `unsure'— grouped in 24 categories. The second part of the project is a tablet with a modified demo app by Affectiva, a major player in the field of emotion analysis software. This app acts as an interactive mirror which displays the various parameters that the Affectiva software derives from someone's facial expression, while a voice over reads a text extracted from the Dutch classic <em>Beyond Sleep<\/em> by W.F. Hermans (1966), concerning the impact of the mirror, photography and video on the human self-image.",
|
||||
"description": "A two-part artwork and my first work on software that derives emotional parameters from facial expressions. The first part displays the <em>Mind Reading Emotions Library</em>, an interactive collection of videos, audio fragments and scenes depicting 412 distinct emotions —ranging from `angry' to `unsure'— grouped in 24 categories. The second part of the project is a tablet with a modified demo app by Affectiva, a major player in the field of emotion analysis software. This app acts as an interactive mirror which displays the various parameters that the Affectiva software derives from someone's facial expression, while a voice over reads a text extracted from the Dutch classic <em>Beyond Sleep</em> by W.F. Hermans (1966), concerning the impact of the mirror, photography and video on the human self-image.",
|
||||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/we_know_how_you_feel.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/we_know_how_you_feel.jpg",
|
||||
"contentUrl": "/assets/image/we_know_how_you_feel.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/we_know_how_you_feel.jpg",
|
||||
"caption": "We know how you feel"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/we_know_how_you_feel-3.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/we_know_how_you_feel-3.jpg",
|
||||
"contentUrl": "/assets/image/we_know_how_you_feel-3.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/we_know_how_you_feel-3.jpg",
|
||||
"caption": "Mind Reading Emotions Library"
|
||||
}
|
||||
],
|
||||
|
|
@ -1150,7 +1144,6 @@
|
|||
}
|
||||
]
|
||||
}
|
||||
|
||||
},
|
||||
{
|
||||
"@type": "MediaObject",
|
||||
|
|
@ -1160,20 +1153,20 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/fragments-6-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/fragments-6-2.jpg",
|
||||
"contentUrl": "/assets/image/fragments-6-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/fragments-6-2.jpg",
|
||||
"caption": "Fragments of reality"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/fragments-9-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/fragments-9-2.jpg",
|
||||
"contentUrl": "/assets/image/fragments-9-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/fragments-9-2.jpg",
|
||||
"caption": "Fragments of reality"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/fragments-7-2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/fragments-7-2.jpg",
|
||||
"contentUrl": "/assets/image/fragments-7-2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/fragments-7-2.jpg",
|
||||
"caption": "Fragments of reality"
|
||||
}
|
||||
]
|
||||
|
|
@ -1186,13 +1179,13 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/waterdagen-teaser.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/waterdagen-teaser.jpg"
|
||||
"contentUrl": "/assets/image/waterdagen-teaser.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/waterdagen-teaser.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/waterdagen1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/waterdagen1.jpg"
|
||||
"contentUrl": "/assets/image/waterdagen1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/waterdagen1.jpg"
|
||||
}
|
||||
],
|
||||
"@reverse": {
|
||||
|
|
@ -1222,8 +1215,8 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/copoet1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/copoet1.jpg"
|
||||
"contentUrl": "/assets/image/copoet1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/copoet1.jpg"
|
||||
}
|
||||
],
|
||||
"@reverse": {
|
||||
|
|
@ -1251,20 +1244,20 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/samawati-prev2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/samawati-prev2.jpg"
|
||||
"contentUrl": "/assets/image/samawati-prev2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/samawati-prev2.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/samawati-prev1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/samawati-prev1.jpg"
|
||||
"contentUrl": "/assets/image/samawati-prev1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/samawati-prev1.jpg"
|
||||
}
|
||||
],
|
||||
"video": {
|
||||
"@id": "r:/samawati/video",
|
||||
"@type": "VideoObject",
|
||||
"thumbnailUrl": "/assets/thumb/samawati.mp4.jpg",
|
||||
"contentUrl": "/assets/video/samawati.mp4" ,
|
||||
"contentUrl": "/assets/video/samawati.mp4",
|
||||
"encodingFormat": "video/mp4",
|
||||
"videoFrameSize": "1280x1024"
|
||||
}
|
||||
|
|
@ -1293,6 +1286,7 @@
|
|||
],
|
||||
"contributor": [
|
||||
{
|
||||
"@id": "r:/pillow-talk",
|
||||
"@type": "MediaObject",
|
||||
"name": "Pillow Talk",
|
||||
"dateCreated": "2019",
|
||||
|
|
@ -1303,7 +1297,7 @@
|
|||
{
|
||||
"@type": "Person",
|
||||
"name": "Begüm Erciyas",
|
||||
"url":"https://www.begumerciyas.com"
|
||||
"url": "https://www.begumerciyas.com"
|
||||
}
|
||||
],
|
||||
"workFeatured": [
|
||||
|
|
@ -1369,18 +1363,18 @@
|
|||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/pillow_talk01.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/pillow_talk01.jpg"
|
||||
"contentUrl": "/assets/image/pillow_talk01.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/pillow_talk01.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/pillow_talk02.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/pillow_talk02.jpg"
|
||||
"contentUrl": "/assets/image/pillow_talk02.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/pillow_talk02.jpg"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/pillow_talk03.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/pillow_talk03.jpg"
|
||||
"contentUrl": "/assets/image/pillow_talk03.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/pillow_talk03.jpg"
|
||||
}
|
||||
],
|
||||
"about": [
|
||||
|
|
@ -1388,13 +1382,13 @@
|
|||
"@type": "VisualArtsEvent",
|
||||
"name": "Residency: PACT Zollverein",
|
||||
"startDate": "2019",
|
||||
"url":"https://www.pact-zollverein.de/en"
|
||||
"url": "https://www.pact-zollverein.de/en"
|
||||
},
|
||||
{
|
||||
"@type": "VisualArtsEvent",
|
||||
"name": "Residency: Buda",
|
||||
"startDate": "2019",
|
||||
"url":"https://www.budakortrijk.be/en/residenties/beguem-erciyas-tr-hugvie"
|
||||
"url": "https://www.budakortrijk.be/en/residenties/beguem-erciyas-tr-hugvie"
|
||||
}
|
||||
]
|
||||
},
|
||||
|
|
@ -1408,56 +1402,126 @@
|
|||
"name": "Ward Goes",
|
||||
"url": "http://www.wardgoes.nl"
|
||||
},
|
||||
"url":"http://spectacularspectacular.news",
|
||||
"description": "Originally initiated as a graduation project (cum laude) by Ward Goes, <a href=\"http://spectacularspectacular.news\">The Spectacular Times<\/a> is an ongoing visual inquiry into the presentation of news. It investigates how news, rather than being subjective, is representational of its social, cultural, (geo)political and ideological contexts. The project sets out to lay bare these representations in currently circulating news.\n\nBy layering and contrasting different news elements The Spectacular Times re-contextualises news and makes explicit the intangible notions that lie beyond an increasingly universal guise of news reporting. Not in an effort to tell apart true from false, left from right, or right from wrong, but in order to accentuate a variety of articulations of news.\n\nThis web based project uses user defined variables to animate news headers, texts and images, which are directly sourced from different news websites world wide. By adjusting these parameters (among which region, scope and speed) the spectator actively perceives how news content is de- and reformed through its aesthetics.",
|
||||
"url": "http://spectacularspectacular.news",
|
||||
"description": "Originally initiated as a graduation project (cum laude) by Ward Goes, <a href=\"http://spectacularspectacular.news\">The Spectacular Times</a> is an ongoing visual inquiry into the presentation of news. It investigates how news, rather than being subjective, is representational of its social, cultural, (geo)political and ideological contexts. The project sets out to lay bare these representations in currently circulating news.\n\nBy layering and contrasting different news elements The Spectacular Times re-contextualises news and makes explicit the intangible notions that lie beyond an increasingly universal guise of news reporting. Not in an effort to tell apart true from false, left from right, or right from wrong, but in order to accentuate a variety of articulations of news.\n\nThis web based project uses user defined variables to animate news headers, texts and images, which are directly sourced from different news websites world wide. By adjusting these parameters (among which region, scope and speed) the spectator actively perceives how news content is de- and reformed through its aesthetics.",
|
||||
"image": [
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/times1.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/times1.jpg",
|
||||
"contentUrl": "/assets/image/times1.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/times1.jpg",
|
||||
"caption": "The Spectacular Times"
|
||||
},
|
||||
{
|
||||
"@type": "ImageObject",
|
||||
"contentUrl": "/assets\/image\/times2.jpg",
|
||||
"thumbnailUrl": "/assets\/thumb\/times2.jpg",
|
||||
"contentUrl": "/assets/image/times2.jpg",
|
||||
"thumbnailUrl": "/assets/thumb/times2.jpg",
|
||||
"caption": "The Spectacular Times"
|
||||
}
|
||||
]
|
||||
}
|
||||
],
|
||||
"attendee":[
|
||||
"attendee": [
|
||||
{
|
||||
"@type": "Course",
|
||||
"@id": "r:/residency/summer-sessions",
|
||||
"@type": "VisualArtsEvent",
|
||||
"name": "Residency: Summer Sessions 2016",
|
||||
"url": [
|
||||
"http://summersessions.net/17-projects/projects-2016/55-emotion-hero",
|
||||
"http://www.arquivo237.com/en/Passado/manipulation-emotion-hero-2/"
|
||||
],
|
||||
"description": "I was part of the Summer Sessions Network for Talent Development in a co-production of Arquivo 237 and V2_ Lab for the Unstable Media, with support of the Creative Industries Fund NL.",
|
||||
"startDate": "2016-09",
|
||||
"endDate": "2016-10",
|
||||
"about": {
|
||||
"@id": "r:/emotionhero"
|
||||
}
|
||||
},
|
||||
{
|
||||
"@id": "r:/residency/q21",
|
||||
"@type": "VisualArtsEvent",
|
||||
"name": "Residency: Q21",
|
||||
"startDate": "2017-01",
|
||||
"endDate": "2017-02",
|
||||
"url": "https://www.mqw.at/institutionen/q21/artists-in-residence/2016/ruben-van-de-ven/",
|
||||
"@reverse": {
|
||||
"subEvent": {
|
||||
"@id": "r:/exhibition/mood_swings"
|
||||
}
|
||||
},
|
||||
"location": {
|
||||
"@id": "r:/place/q21"
|
||||
}
|
||||
},
|
||||
{
|
||||
"@id": "r:/event/cqrrelations",
|
||||
"@type": "Event",
|
||||
"name": "Cqrrelations Worksession",
|
||||
"url": "http://cqrrelations.constantvzw.org/",
|
||||
"startDate": "2015-01-18",
|
||||
"endDate": "2015-01-23",
|
||||
"organizer": {
|
||||
"@id": "r:/organisation/constant",
|
||||
"url": "http://constantvzw.org",
|
||||
"@type": "Organization",
|
||||
"name": "Constant"
|
||||
}
|
||||
}
|
||||
],
|
||||
"hasCredential": [
|
||||
{
|
||||
"@id": "r:/degree/media-design",
|
||||
"@type": "EducationalOccupationalCredential",
|
||||
"name": "MA - Media Design and Communication",
|
||||
"provider": {"@id": "r:/university/piet-zwart"},
|
||||
"addressLocality": "Rotterdam",
|
||||
"credentialCategory": "Master of Arts",
|
||||
"temporalCoverage": "2014-2016",
|
||||
"educationalCredentialAwarded": "Master of Arts"
|
||||
"@reverse": {
|
||||
"educationalCredentialAwarded": {
|
||||
"@id": "r:/university/piet-zwart"
|
||||
}
|
||||
},
|
||||
"about": {
|
||||
"@id": "r:/choose-how-you-feel-you-have-seven-options"
|
||||
}
|
||||
},
|
||||
{
|
||||
"@type": "Course",
|
||||
"@id": "r:/degree/cddc",
|
||||
"@type": "EducationalOccupationalCredential",
|
||||
"name": "MA - Creative Design for Digital Cultures",
|
||||
"provider": "The Open University",
|
||||
"addressLocality": "London",
|
||||
"credentialCategory": "Master of Arts",
|
||||
"temporalCoverage": "2012-2013",
|
||||
"educationalCredentialAwarded": "Master of Arts"
|
||||
"@reverse": {
|
||||
"educationalCredentialAwarded": {
|
||||
"@type": "CollegeOrUniversity",
|
||||
"name": "The Open University",
|
||||
"addressLocality": "London"
|
||||
}
|
||||
}
|
||||
},
|
||||
{
|
||||
"@type": "Course",
|
||||
"@id": "r:/degree/avm",
|
||||
"@type": "EducationalOccupationalCredential",
|
||||
"name": "BA - Audio-visual Media",
|
||||
"provider": "Hogeschool voor de Kunsten Utrecht",
|
||||
"addressLocality": "Utrecht",
|
||||
"credentialCategory": "Bachelor of Arts",
|
||||
"temporalCoverage": "2009-2013",
|
||||
"educationalCredentialAwarded": "Bachelor of Arts"
|
||||
"@reverse": {
|
||||
"educationalCredentialAwarded": {
|
||||
"@type": "Hogeschool voor de Kunsten Utrecht",
|
||||
"addressLocality": "Utrecht"
|
||||
}
|
||||
}
|
||||
},
|
||||
{
|
||||
"@type": "Course",
|
||||
"@id": "r:/degree/mechanical-engineering",
|
||||
"@type": "EducationalOccupationalCredential",
|
||||
"name": "Propaedeutic - Mechanical Engineering",
|
||||
"provider": "Twente University",
|
||||
"addressLocality": "Enschede",
|
||||
"credentialCategory": "Propaedeutic degree",
|
||||
"temporalCoverage": "2007-2009",
|
||||
"educationalCredentialAwarded": "Propaedeutic degree"
|
||||
"@reverse": {
|
||||
"educationalCredentialAwarded": {
|
||||
"@type": "Twente University",
|
||||
"addressLocality": "Enschede"
|
||||
}
|
||||
}
|
||||
}
|
||||
]
|
||||
}
|
||||
|
|
|
|||
|
|
@ -33,7 +33,7 @@ function getNodeYear(n){
|
|||
return n['https://schema.org/datePublished'].substr(0,4);
|
||||
}
|
||||
if(typeof n['https://schema.org/startDate'] !== 'undefined') {
|
||||
console.log(n['https://schema.org/startDate']);
|
||||
// console.log(n['https://schema.org/startDate']);
|
||||
return n['https://schema.org/startDate'].substr(0,4);
|
||||
}
|
||||
if(typeof n['https://schema.org/endDate'] !== 'undefined') {
|
||||
|
|
@ -114,10 +114,21 @@ var graph;
|
|||
var nodeMap = {};
|
||||
var linkMap = {};
|
||||
var breadcrumbs = {};
|
||||
var weights = {};
|
||||
|
||||
// load the flattened jsonld file
|
||||
const requestPromise = fetch('/assets/js/rubenvandeven.jsonld')
|
||||
.then(r => r.json())
|
||||
.then(data => {
|
||||
const requestPromise = fetch('/assets/js/rubenvandeven.jsonld').then(r => r.json());
|
||||
const rankingPromise = fetch('/assets/js/ranking.json').then(r => r.json());
|
||||
|
||||
Promise.all([requestPromise, rankingPromise])
|
||||
.then(values => {
|
||||
if(values[0].hasOwnProperty('@graph')) {
|
||||
data = values[0];
|
||||
weights = values[1];
|
||||
} else {
|
||||
data = values[1];
|
||||
weights = values[0];
|
||||
}
|
||||
graph = jsonLdToGraph(data['@graph']);
|
||||
// create a map of nodes by id.
|
||||
for(let i in graph.nodes) {
|
||||
|
|
@ -169,8 +180,8 @@ var firstNodeId = "https://rubenvandeven.com/";
|
|||
function getSizeForNode(node) {
|
||||
if(node.hasOwnProperty('https://schema.org/thumbnailUrl'))
|
||||
return nodeSize;
|
||||
//if(weights[node['@id']])
|
||||
// return nodeSize * weights[node['@id']];
|
||||
if(weights[node['@id']])
|
||||
return nodeSize * weights[node['@id']];
|
||||
if(node['@id'] == firstNodeId)
|
||||
return nodeSize*1.2;
|
||||
// everynode has at least one link. these should equal 1
|
||||
|
|
@ -442,7 +453,7 @@ var centerByType = function(types, updateHistory) {
|
|||
deselectNode();
|
||||
if(updateHistory) {
|
||||
// TODO: working
|
||||
console.log(types[0], getDisplayAttr(types[0]),types.map(getDisplayAttr));
|
||||
// console.log(types[0], getDisplayAttr(types[0]),types.map(getDisplayAttr));
|
||||
history.pushState({types: types}, "", "/@type/"+(types.map(getDisplayAttr).join("+")));
|
||||
} else {
|
||||
history.replaceState({types: types}, "", "/@type/"+(types.map(getDisplayAttr).join("+")));
|
||||
|
|
@ -614,11 +625,15 @@ var setDetails = function(nodeDatum, nodeIdx) {
|
|||
}
|
||||
}
|
||||
|
||||
// relationships / links in <dl>
|
||||
// relationships / links incomming <dl>
|
||||
for(let attr in relDown) {
|
||||
let attrEl = document.createElement("dt");
|
||||
attrEl.innerHTML = getDisplayAttr(attr);
|
||||
relsEl.appendChild(attrEl);
|
||||
|
||||
// highest pagerank first:
|
||||
relDown[attr].sort((a,b) => weights[b['@id']] - weights[a['@id']]);
|
||||
|
||||
for(let i in relDown[attr]) {
|
||||
let rel = relDown[attr][i];
|
||||
relsEl.appendChild(createRelationshipEl(rel));
|
||||
|
|
@ -637,10 +652,15 @@ var setDetails = function(nodeDatum, nodeIdx) {
|
|||
}
|
||||
}
|
||||
|
||||
// relationships / links outgoing <dl>
|
||||
for(let attr in relUp) {
|
||||
let attrEl = document.createElement("dt");
|
||||
attrEl.innerHTML = getDisplayAttr(attr);
|
||||
relsEl.appendChild(attrEl);
|
||||
|
||||
// highest pagerank first:
|
||||
relUp[attr].sort((a,b) => weights[b['@id']] - weights[a['@id']]);
|
||||
|
||||
for(let i in relUp[attr]) {
|
||||
let rel = relUp[attr][i];
|
||||
relsEl.appendChild(createRelationshipEl(rel, i));
|
||||
|
|
|
|||
|
|
@ -20,7 +20,8 @@ body{
|
|||
// - NunitoSansRegular
|
||||
font-weight: light;
|
||||
height: 100vh;
|
||||
background: black;
|
||||
background:#222;
|
||||
// background: radial-gradient(purple, darken(purple, 10%));
|
||||
font-size: 12pt;
|
||||
}
|
||||
|
||||
|
|
@ -271,7 +272,8 @@ text{
|
|||
|
||||
.nodeType{
|
||||
font-size:80%;
|
||||
text-transform: uppercase;
|
||||
// text-transform: uppercase;
|
||||
font-variant-caps: small-caps;
|
||||
color: #999;
|
||||
margin-left:10px;
|
||||
|
||||
|
|
@ -329,6 +331,7 @@ text{
|
|||
font-weight:bold;
|
||||
min-height:25px;
|
||||
clear:both;
|
||||
word-wrap: anywhere; // relations like "educationalCredentialAward" are crazily long..
|
||||
}
|
||||
dd{
|
||||
min-height:30px;
|
||||
|
|
|
|||
Loading…
Reference in New Issue